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In what way(s) is Pygmalion a Shavian play?

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sparkrch | Student, Undergraduate | eNotes Newbie

Posted July 5, 2010 at 7:39 PM via web

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In what way(s) is Pygmalion a Shavian play?

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Karen P.L. Hardison | College Teacher | eNotes Employee

Posted July 26, 2010 at 7:56 AM (Answer #1)

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Shaw's plays, referred to as "Shavian plays" are exceptional for their characteristic of contrasting reality with conventional wisdom. In the case of Pygmalion, this contrast is evident in a couple of regards. First, conventional wisdom in England during the Victorian era had it that individuals born into ill-advantaged lifestyles, as Liza the flower girls was, are incapable of attaining anything higher because of inadequate intelligence and under-bred social values. The reality is that intelligence and values are not the limiting factors whereas opportunity and income are. Liza proves in her first few speeches that she has abundant intelligence hidden beneath her heavy dialectical speech and superior values that she does not keep hidden.

Another characteristic of Shavian plays is that they express Shaw's belief in "life force" and that women are attuned to life force in a keener degree than men are. This is charmingly illustrated and expressed in Pygmalion through Mrs. Higgins and Professor Higgins, individually, and through their interactions. This is dramatized by Mrs. Higgins' emotional exclamation while gripping "the table angrily" at the end of Act III, "Oh, men! men!! men!!!", which is prompted by the fact that Professor Higgins has not thought of what Liza's life might become after his experiment is through and callously passes off Mrs. Higgins' and his housekeeper's concerns with, "there's no good bothering now. The thing's done." Plus, their interactions demonstrate Shaw's beliefs by virtue of the fact that she has banished Professor Higgins (her son) from her at home parties because of his inability act in a unified accord with anyone else (except Colonel Perkins as they experiment with Liza ...), thereby frightening her guests.

Another important characteristic of Shavian plays is a didactic, instructing theme. Pygmalion certainly qualifies as a play that instructs. In 1914, the year the play was first performed, lessons about human integrity and dignity were as valid as they were in 1856 when Shaw was born and in 1895 when he became the drama critic for London's Saturday Review. Finally, Pygmalion shines with Shavian wit in the brilliant characterizations and the sparkling dialogue that is true-to-life as well as it is amusing and entertaining.

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