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The tone in a poem is like the tone of voice you use when you speak. The tone you use with a child, or a dog, or you boss is different--and changes according to the situation. You speak to a child who has purposefully spilled milk on the floor differently than one who has spilled it on accident.
The tone of this poem is defiant and angry but in a realistic way. There is no shouting with the exception of the Gas! Gas! Quick, boys! line. It is achieved by reporting what is happening in vivid, gruesome images. The speaker then pointedly tells the reader that war is not something to be romanticized and glorified--dying is not honorable or fun. There is nothing heroic about drowning in a sea of green mist with your lungs froth-corrupted, choking on your own blood.
Go back and take a look at the poem word for word. Mark the words with negative connotations (how do they make you feel?) and understand the tone/mood he is setting.
The soldier wants us to know that the latin phrase is a lie. He is angry that he is there, living this way, and people on the outside are thinking it is all hunky-dorey. The trench poets (which Owen is a member) wrote about the reality of war long before realism was popular. Shock value was high when these poems were written since technology did not afford the entire world to watch the war as it happened on TV and the internet.
The tone of Wilfred Owen's poem is ironic and horrific. "Dulce et Decorum est pro para mia" is a Latin quotation by Horace, the great Roman poet. It means, "It is sweet and becoming to die for one's country."
Owens begins disabusing the reader of this notion from the very first line. The picture the speaker creates of the soldiers "Bent double, like old beggars sacks, / Knock-kneed, coughing like hags, we cursed through sludge" (1-2). To this day, many young men and women are enchanted by romantic ideas of war, which has never been pretty in reality.
But World War I brought horrors never known and an enemy, mustard gas, that was unseen. The speaker describes the frantic haste to don protective gear but the insidious cloud is fast moving. He describes watching a fellow solider be overcome "under a green sea," the gas, under which "I saw him drowning" (14) Death by mustard gas was hideously painful: this is why the man is "flound'ring like a man in fire or lime" (11).
In death, the living watch the dying man's "gargling from the froth corrupted blood" (22).
Finally, the speaker realizes the "old lie." It is not sweet or becoming to die in this way.
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