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This poem is basically an address to a young athlete who once received the praise and glory of his town because of his victory. However, now he is being remembered in a different way, because he is being held high in his own funeral procession. The speaker however argues that the athlete was lucky to have died, as he went out at his best moment in life and will not live to see his name forgotten with time. Because he died at his strongest, he will be able to amaze the dead with his beauty that will never fade.
The tone, therefore, of this great poem is one of sadness and sombre reflection as the speaker remembers the life of this athlete who was snatched away in his prime. Arguably, the poem ends on a hopeful note, as the speaker contemplates how he will be able to receive eternal glory and adulation through his death.
Imagine that the speaker in the poem has returned from the funeral of this popular, record-holding athlete who is a greatly admired resident of his town. The funeral has impacted him deeply, and he seeks an outlet for his inconsolable sense of loss. In his attempt to make sense of this loss, he recalls the day when the deceased was joyfully “chaired” through the marketplace “shoulder high”. Immediately, the picture in his mind switches to the more recent “shoulder high “scene, that of the athlete’s funeral procession that had taken place earlier in the day. The sheer contrast in the mood of the two occasions produces within him such stinging pain that he must find catharsis.
The poet finds catharsis in transforming death into a victory, thus removing its emotional “sting”. Troubled reflection becomes calculated celebration of the athlete whom he now congratulates for his wit “to slip betimes away”/ From fields where glory does not stay”. Indeed, at this point, the deceased is doubly esteemed by the poet: first, for being an athlete with an unbroken record; and second, for outwitting “glory” by dying before it fades. His celebration of the youth merges into a celebration of death, diminishing the initial sting of the loss so that death is now euphemistically referred to as the “shady night “that shuts the eyes and the “earth” that stops the ears, two very harmless elements.
The climax of the celebration is as the poet projects to the welcome of the athlete among the spirits of the dead. There is no doubt that the spirits of the dead share the poet’s wonder at the superior intelligence of the athlete to exit the “fields where glory does not stay” before he is forced to join the ranks of “runners renown outran”. Like the poet in his new celebration of death, they “flock to gaze” in amazement at the “early-laurelled head”. Not only is the athlete a champion in the eyes of the living, but he is also a champion in the eyes of the dead for his genius in outwitting short-lived “glory”. In the course of the seven stanzas, the tone evolves from being sore and reflective to being triumphant and confident.
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