What are some examples of symbolism in The Adventures of Huckleberry Finn by Mark Twain?
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The symbol that is most outstanding in Mark Twain's The Adventures of Huckleberry Finn is the Mississippi River.
I have read that the river serves to join together the many adventures Huck and Jim have. However, the river is also symbolic of freedom. It is on the river that Huck escapes the Widow Douglas' attempt to "sivilize" him. The first time he notes:
The Widow Douglas she took me for her son, and allowed she would sivilize me; but it was rough living in the house all the time, considering how dismal regular and decent the widow was in all her ways; and so when I couldn’t stand it no longer I lit out...and was free and satisfied.
Tom Sawyer talks him into returning so they can pretend to be "a band of robbers"—Tom has a tendency to "pretend." But later, Huck will escape again for different reasons. The river also allows Huck to get away from his father. Huck has good reason, as introduced early on in the story:
Pap hadn't been seen for more than a year, and that was comfortable for me; I didn't want to see him no more. He used to always whale me when he was sober and could get his hands on me; though I used to take to the woods when he was around.
When Pap returns, he figures Huck has money (Tom and Huck had found gold at the end of Twain's novel about Tom Sawyer), and he wants it. Pap kidnaps Huck. Huck grows to like living off the land, smoking and "cussing," but when his father gets drunk, he beats Huck, and the boy gets tired of it...
By and by Pap got too handy with his hick'ry.
So Huck kills a pig to stage his own death. In order for the plan to work, he must leave town, and the river carries him away.
While hiding out on the island overnight, Huck discovers Jim, Miss Watson's runaway slave. Fearful that Miss Watson is going to sell him to someone in New Orleans, Jim has run away. He, too, looks to the river for a means of escape and freedom. He wants to find his family (who he has been separated from), and move North where they can be free. (New Orleans would only take him farther away from his wife and children.)
The river provides a means of escape when Huck gets mixed up with the Grangerfords and Shepherdsons. In fact, most often when they confront an emergency of some kind, the Mississippi carries them to safety.
Even at the end of the story, Huck has the opportunity to be "sivilized" again, but decides instead that he'd rather be free, and takes to the river.
But I reckon I got to light out for the territory ahead of the rest, because Aunt Sally she's going to adopt me and sivilize me, and I can't stand it. I been there before.
In the richly-textured Huckleberry Finn, characters, actions, objects, and settings often play dual roles, both as facets of the plot and as symbols of ideas. The Mississippi itself comprises the central symbol: both Huck and Jim flee to it, journeying down it in search of freedom, Huck from his abusive and alcoholic father, Jim from slavery. Their often-interrupted journey symbolizes their metaphorical “journey” through life; the dangers posed by/carried by the river itself symbolize the dangers and difficulties of living in the 19th century South. Symbolizing the fluid aspect of life, the river never breaks permanently free from the inertia symbolized by the constraints of the banks between which it flows on its way to the freedom of the Gulf of Mexico.
All travelers need food – both Huck and Jim had been undernourished, deliberately, by their “masters.” Because Jim dares not leave the raft, Huck must secure sustenance, and the act of procuring food for Jim as well as for himself symbolizes the nurturing traits in Huck’s personality, as the deliberate deprivation of food had symbolized their captors’ indifference and casual cruelty. [As Jim shows his personal care and concern for Huck, he “feeds” the boy’s unmet need for love, protection, and approbation.]
Numerous characters serve as symbols: both the “Dauphin” and the Widow Douglas symbolize the flaws in religion, the Dauphin as a manipulator who lies about religion and the Widow who sees it as her “Christian duty” to “civilize” Huck by polishing his manners rather than by genuinely nurturing him. Other symbols of the flaws in religion are the Grangerford and Shepherdson families, who regularly attend churches which preach “brotherly love” but who have been engaged in a deadly feud for over 30 years. In addition to symbolizing religion’s flaws, the Dauphin and the Duke symbolize the falsity of appearances by masquerading as royalty. Tom Sawyer, despite his genuine efforts to help Huck and Jim, symbolizes those enslaved to an unrealistic and romantic view of life; Tom’s “help” nearly gets people killed when, in order to recreate the melodrama of the romantic tales which he adores, he concocts an unnecessarily elaborate scheme to free Jim.
Many facets of the novel further symbolize the theme of appearance versus reality. Huck, not realizing that his father is dead, continues to flee from a threat which has vanished. As mentioned earlier, the grafters the Dauphin and the Duke fool and bilk those who cannot see beyond appearances. Tom conceals the reality that Jim is now free solely in order that he can carry out his dramatic and completely unnecessary “rescue.” The Grangerfords and Shepherdsons, who profess Christianity and attend church regularly, have nevertheless been killing one another off at every opportunity for 30 years, their actions belying their Christian veneer. Huck as a girl offers a comic version of the theme, with even the sharp-eyed woman who discerns his gender despite his appearance unable to penetrate to the reality that he is not the escaping apprentice for whom she mistakes him.
One of Twain’s major strengths as a writer was his ability to incorporate and manipulate symbols while seldom descending into pure allegory; he was first, last, and always a master story-weaver.
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