In Iago's soliloquy in Act 2 Scene 3 lines 303-328, why does Shakespeare use so many contrasts and references to hell, and what effect does this have?
2 Answers | Add Yours
The image is a play on the characters of Othello and Desdemona. With Othello being black and Desdemona being white, Iago is playing up the contrast, with Othello being "black as Hell."
The contrast being black and white symbolizes good and evil, and by extension heaven and hell. He portrays Othello as the devil himself, in battle for the soul (and body) of Desdemona. However, Othello, by appearing to be "good," is in fact putting on his "blackest sins," which, according to Iago, will thus appear to be "heavenly shows." This reflects the biblical verse in II Corinthians 11:14 that Satan masquerades as an angel of light.
Iago plans to use Desdemona to reveal Othello to others as the demon that Iago wishes them to believe him to be. The "white" lady will be the trap, signified by the black "pitch" (tar) the will trap Othello.
In another masterful Shakespearean soliloquy (this play is full of them!), Iago advances Shakespeare's light/darkness motif and themes of good v. evil, appearance v. reality, and the Garden of Eden.
First, the light/darkness motif is most obvious in the racial differences of the characters, but Shakespeare also employs this motif to stress the notion of good and evil. This speech takes place at night (when most of Iago's machinations take place), and Cassio is unable to see the light of truth because of Iago's dark plot. In lines 332-344, Iago declares,
"When devils will the blackest sins [advance],/ They do suggest at first with heavenly shows/ as I do now."
Later in line 351, he threatens about Desdemona,
"So will I turn her virtue into pitch"
This contrast of light versus dark is not simply Iago pitting a white character against a black character. Iago knows that his deeds are dark and from the blackest regions of the heart. His black deeds contrast sharply with his "fair" exterior just as he will make "pale" Desdemona seem guilty of pitch-colored acts.
Of course, normally, the good and evil are represented by light and dark, but Shakespeare's discussion of good and evil and light/dark furthers Othello's theme that all is not as it appears to be. On the outside, Iago is the loyal friend and confidant. Othello and Desdemona confide in him, and right before this soliloquy, Cassio has confided in Iago. He appears to be an "honest" man. In contrast, racially motivated characters such as Brabantio and others assume that Othello is devilish, "dark," and satanic because of his exterior. Shakespeare's proves this to be untrue by generating sympathy for Othello throughout the play. Numerous other examples exist of this theme.
Finally, Shakespeare includes the devil allusions to further his Elizabethan take on the Garden of Eden. Iago is, of course, the serpent who uses "Eve" (Desdemona) to get to "Adam" (Othello). In this soliloquy he not only describes his actions as devilish, but he also discusses how he will ensnare Desdemona to bring about Othello's and Cassio's downfall. He ends the speech by promising,
"So I will turn her virtue into pitch,/ And out of her own goodness make the net/ That shall enmesh them all . . ." (2.3.351-353).
Join to answer this question
Join a community of thousands of dedicated teachers and students.Join eNotes