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Personification is the attribution of human or living elements to something inhuman or non-living. One good example comes in the first paragraph, when Montag is burning a house:
With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head...
(Bradbury, Fahrenheit 451, Google Books)
The fire-hose, in this new world, sprays kerosene onto a fire, instead of water, and so the personification is of a dangerous snake spitting poison. The personification is not entirely accurate -- pythons do not have venom, but kill by constriction. However, the comparison works because a venomous snake is dangerous, just as the act of feeding a house fire. By applying a living metaphor to the fire-hose, it becomes less a tool used by Montag and more of a force in itself, a living thing that seems to destroy without reason.
"The books leapt and danced like roasted birds, their wings ablaze with red and yellow feathers." (Bradbury 110)
This quote is written while Montag is in the process of burning his home and all of its contents. After spraying his bedroom, Beatty tells him to burn the books. Montag then describes what the books look like as they burn. Ray Bradbury uses personification to describe the flaming pages of the books being burnt. Books are inanimate objects that cannot "leap" or "dance" like birds. Personification is a literary technique used to attach living characteristics to non-living objects. Writers often incorporate personification into their writing to add imagery and convey textual meaning to their audiences. One can visualize the movement of the burning pages by associating it with the image of birds flapping their red and yellow wings up and down. This image is closely connected to the Phoenix, which is mentioned later on in the novel.
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