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Discuss how Dante’s notion of sin and redemption is played out in Inferno.

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willghass | Student, Undergraduate | Honors

Posted August 8, 2013 at 9:56 PM via web

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Discuss how Dante’s notion of sin and redemption is played out in Inferno.

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Ashley Kannan | Middle School Teacher | (Level 3) Distinguished Educator

Posted August 8, 2013 at 11:24 PM (Answer #1)

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The primary focus of the Inferno is the notion of sin.  Redemption in the form of Beatrice or Jesus is not readily evident. Since Dante and Virgil progress through the intense nature of transgression, neither one of these transformative figures of redemption are even mentioned after the second Canto.  For Dante, sin is the direct result of human transgression against God's will and the ability to understand the nature of sin.  Accordingly, the inhabitants of the early circles are victims to their appetites, while the subsequent circles feature individuals who increase in malice.  The final circles of the underworld are inhabited by those who commit fraud, " since fraud belongs exclusively to man, / God hates it more and, therefore, far below, / the fraudulent are placed and suffer most" (XI, ll.25-27).  

In Dante's mind, not all sin is the same.  The configuration of the Infernois reflective of the complex and intricate nature of sin.  Dante sees the brutality of the Underworld as needed.  He views sin and transgression as the result of rejecting the world of the divine.  If any of the transgressors had come to God and asked for forgiveness, Dante sees them as being forgiven.  They are condemned to eternal suffering in the underworld because they failed to take God in their hearts and souls.  Here again, one sees how Dante constructs sin as something within human beings, but also something that human beings can avoid if they wish to do so.

It is in this light where Dante's understanding of redemption is evident.  Redemption is not found in the Inferno.  It cannot be found because the people who are condemned have not taken the presence of the divine.  Redemption is only present through the acknowledgement of transgression and paying the price for such action.  Sources of redemption like Beatrice and Jesus Christ are not in the Inferno.  The conclusion to the Inferno has Virgil and Dante poised for redemption as they look to the "stars."  The ability for human beings to not be chained to their condition as mortals and envision a transcendence within them that makes them more than mortal is where redemption lies.  After the voyage through the varied and intricate nature of transgression, the hope for redemption becomes an element that can be realized.

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