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The structure of this poem is four four lined stanzas, while the rhyme scheme varies in the first half and the second half. In the first two stanzas, the second and fourth lines rhyme (Stanza 1: “June” and “tune” and Stanza 2: “I” and “dry”), while in the last two stanzas, the rhyme pattern features the second and fourth lines rhyming again, but the first and third lines end with the same word. This helps to create the rhythmic and song like quality to the poem.
The surface meaning is about a speaker who is naturally in love. The speaker uses several examples of figurative language to relay the relevancy of love. For example, the opening line and title compares love to a “red, red rose.” This simile brings forth the mental picture of vibrancy and intensity, as it links one’s love to a traditional flower of love, the rose.
This is continued with invocation of how love is a song “in June,” indicating temperate conditions filled with sun. The length and breadth of the speaker’s love is continued in the second stanza with its comparison to the depth of the “seas.” The surface meaning concludes with an emphasis of the speaker’s love in the last two stanzas, which serve to reemphasize the intensity and commitment of the speaker’s love.
The symbolic meaning of the poem is to convey the passion and intensity that is involved in being in love with someone.
A theme could certainly be that there are many ways to redescribe one’s love, many metaphors or ways of expression which help to clarify what it means to be in love with someone.
The tone of the poem is exalting of love, joyful of being in its presence, which mirrors the mood of enthusiasm and joy. In terms of the appreciation of the poem, I think anyone who believes in the power of love could appreciate much of what the poet employs here. However, there is one dilemma that is present. There is little to indicate why there is an emotional connection present. We realize that the speaker is in love and they truly believe in the authenticity of this expression. However, there is little else to indicate that this love is spiritually or emotionally inclined.
If we continued to examine the poem in this light, we see that this might be infatuation or a surface type of love. This might be something that resides in the mind of the reader, but it should be raised in terms of trying to gauge what statement might lie or its level of appreciation.
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