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    <title>The Hero with a Thousand Faces Group at eNotes</title>
    <link>http://www.enotes.com/hero-with-thousand-faces/group</link>
    <description>The latest discussion, including questions and answers, from the The Hero with a Thousand Faces Group at eNotes.</description>
    <lastBuildDate>Tue, 7 Jul 2009 14:38:11</lastBuildDate>
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        <title><![CDATA[In the early stages of the prologue, one becomes introduced to the idea...]]></title>
        <link>http://www.enotes.com/hero-with-thousand-faces/q-and-a/what-main-points-prologue-well-departure-91059</link>
        <description><![CDATA[In the early stages of the prologue, one becomes introduced to the idea that there is a universal sharing of experience and mythmaking, allowing different versions of the hero archetype; the hero with a 1000 faces.  It seems to me that Campell uses the prologue to establish this sense of universality.  If he cannot link different traditions together with universal application, then the premise of the monomyth is not as valid.  This monomyth...]]></description>
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        <pubDate>Tue, 7 Jul 2009 14:38:11 PST</pubDate>
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        <title><![CDATA[What are the main points in the prologue? As well as the departure?]]></title>
        <link>http://www.enotes.com/hero-with-thousand-faces/q-and-a/what-main-points-prologue-well-departure-91059</link>
        <description><![CDATA[What are the main points in the prologue? As well as the departure?]]></description>
        <guid>http://www.enotes.com/hero-with-thousand-faces/q-and-a/what-main-points-prologue-well-departure-91059</guid>
        <pubDate>Mon, 6 Jul 2009 20:46:34 PST</pubDate>
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