Sheridan Morley (review date 1 February 1997)
SOURCE: Morley, Sheridan. “Territorial Imperative.” Spectator 278, no. 8792 (1 February 1997): 42-3.
[In the following review, Morley praises Pinter's The Homecoming as a magnificently plotted drama that is both comic and sinister.]
Why were we always so afraid to laugh at, or at any rate with, Harold Pinter? When The Homecoming first opened in 1965 at the Aldwych, I seem to remember reverent silences both on stage and in the auditorium, and a willing suspension of disbelief that...
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