Hamlet | Act II Commentary
Scene i: As Shakespeare ended the last act by challenging what we believe, he begins Act Two by challenging what we have seen. A new character, Reynaldo, is in conversation with Polonius whom we have seen as a careful father. Polonius is sending Reynaldo to spy on Laertes and to intentionally spread lies about him. His reason for this is to find out the truth of Laertes' behaviour. Perhaps we have forgotten that Polonius told Ophelia that her behaviour may 'tender me a fool' (1.3.110). Polonius is thus shown to be a man who worries that the things his children do will reflect on him...
[The entire page is 1786 words long]
Join eNotes
The above is a free excerpt. Get total access to this content with the:
Summary and Analysis – Themes – Characters – And much more...
Related Topics
Navigate
- Hamlet: Introduction
- William Shakespeare Biography
- Reading Shakespeare
- List of Characters
- Historical Background
- One-Page Summary
- Summary and Analysis
- Act I, Scene 1 Summary and Analysis
- Act I, Scene 2 Summary and Analysis
- Act I, Scene 3 Summary and Analysis
- Act I, Scene 4 Summary and Analysis
- Act I, Scene 5 Summary and Analysis
- Act II, Scene 1 Summary and Analysis
- Act II, Scene 2 Summary and Analysis
- Act III, Scene 1 Summary and Analysis
- Act III, Scene 2 Summary and Analysis
- Act III, Scene 3 Summary and Analysis
- Act III, Scene 4 Summary and Analysis
- Act IV, Scene 1 Summary and Analysis
- Act IV, Scene 2 Summary and Analysis
- Act IV, Scene 3 Summary and Analysis
- Act IV, Scene 4 Summary and Analysis
- Act IV, Scene 5 Summary and Analysis
- Act IV, Scene 6 Summary and Analysis
- Act IV, Scene 7 Summary and Analysis
- Act V, Scene 1 Summary and Analysis
- Act V, Scene 2 Summary and Analysis
- Critical Commentary
- Quizzes
- Themes
- Character Analysis
- Principal Topics
- Essays
- Hamlet's Delay
- Exploring Hamlet's Hesitation
- Is Hamlet Sane?
- The Ghost: Is He Really Hamlet's Father?
- The Character of Ophelia: Why Does She Go Mad?
- To Thine Own Self Be True: An Analysis
- Rosencrantz and Guildenstern
- Minor Characters and the Number Three
- To See or Not to See: Fortinbras in Two Film Productions of Hamlet
- Hamlet and Macbeth: A Comparison
- The Theme of Pretense in Shakespeare's Hamlet
- Analysis of Act Five of Shakespeare's Hamlet
- Character Analysis of Horatio
- Comment on Hamlet's "To Be or Not to Be" Soliloquy
- Staging for Shakespeare's Hamlet: Act II, Scene ii, Lines 85-221
- The Nature of Hamlet's Character
- Hamlet's Delay: An Objective and Subjective Analysis Compared
- Analysis of Three Critical Works on Hamlet
- Hamlet: History, Religion, and Myth
- Selected Quotes
- Criticism
- Suggested Essay Topics
- Sample Essay Outlines
- Modern Connections
- Pictures
- Marcellus, Horatio, Hamlet, and the Ghost by Henry Fuseli
- Hamlet and Ophelia in New Theatre production (1934)
- The Ghost, Hamlet, Horatio, and Marcellus
- Hamlet and Claudius in New Theatre production (1934)
- Horatio, Hamlet, and the Gravedigger in film adaptation (1948)
- Hamlet and Laertes in New Theatre production (1951)
- Illustration: Ghost of Hamlet's Father
- Illustration: Polonius
- Illustration: Ophelia in Act III, Scene i
- Illustration: Ophelia
- Illustration: Hamlet instructs the Players before the performance
- Illustration: Claudius kneels in prayer
- Illustration: Hamlet thrusts his sword through the curtain
- Illustration: The Ghost
- Illustration: Gertrude and Hamlet
- Illustration: Laertes
- Illustration: Ophelia goes mad
- Illustration: Hamlet's letter to Horatio
- Illustration: Ophelia's flower garlands
- Illustration: The Clown throws skulls out of the grave
- Illustration: Hamlet holding Yorick's skull
- Illustration: Laertes leaps into the grave
- Illustration: Hamlet strikes Laertes in the fencing match
- Illustration: Claudius in the final scene
- FAQs
- Bibliography and Further Reading
- Copyright
- Add Hamlet to your favorites
Tell a friend about Hamlet at eNotes.
