The Grave | Introduction
‘‘The Grave’’ was first published in 1935 in the Virginia Quarterly Review, although it would receive more attention as part of a collection of stories published in 1944, The Leaning Tower and Other Stories. That collection was generally well received by critics, who admired Porter’s elegant, understated style, although her light touch won praise for subtlety even as it was criticized for lacking warmth and vitality. ‘‘The Grave’’ appears as part of a group of stories within The Leaning Tower called ‘‘The Old Order.’’ Taken as a whole, the stories present the family history of a young girl named Miranda: each very short tale depicts a scene from their past in a nostalgic, poetic tone that is nonetheless tinged with a vague sense of darkness. The last story of the group, ‘‘The Grave’’ begins with Miranda, nine years old, playing with her brother Paul in the empty graves that formerly contained many of the relatives from the earlier stories.
The earlier stories are not necessary to understanding ‘‘The Grave,’’ however. In fact, although it is last in ‘‘The Old Order,’’ it was the first ‘‘Miranda story’’ to be published. Even without the added context of the family’s aristocratic, slaveowning Southern past, the story touches lightly on issues of race, gender, and class. In its portrayal of Miranda and Paul’s discovery of unborn baby rabbits within the womb of a rabbit they shoot while hunting, ‘‘The Grave’’ also offers a feminine coming-of-age story. Through the eyes of Miranda, the story not only conveys a sense of the changing social standards for women in the first part of the twentieth century, but also transcends its historical setting with its nuanced understanding of the wonder and the worry inherent in learning about the reproductive powers of one’s own body.
The Grave Summary
The story begins in the family cemetery of the heroine, Miranda. Then nine years old, she and her twelve-year-old brother, Paul, pass through the cemetery on their way to go hunting; they set down their rifles and climb the fence to explore the now-empty graves. The bodies had been removed to the public cemetery so the small plot of land, a portion of Miranda’s grandmother’s farm, could be sold to provide money for other relatives. Miranda and Paul play among the graves with little thought of the coffins and dead bodies they once held. Digging in the grave of her grandfather, Miranda discovers a small silver dove—she announces proudly to Paul that he must guess what she has found. Paul, too, has found something, and they play at guessing what the other has unearthed. Unable to guess, each reveals their treasure: Paul displays an engraved gold ring, Miranda shows him the dove, and they trade. Paul is especially pleased; his silver dove is the screw head for a coffin.
Miranda is satisfied with the ring, and they decide to leave, continuing the hunt for rabbits, birds, and other small prey. Miranda has never been particularly interested in hunting—a trait... » Complete The Grave Summary
