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Glue (Magill’s Literary Annual 1991-2005)

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There is a certain provincialism, even arrogance, in F. Scott Fitzgerald’s well-known, and by now well-worn, complaint that there are no second acts in American literature. In fact, modern writers in any country where writing is inextricably linked to media and money face a special challenge if a first novel proves critically and commercially successful. Such has been the case with Irvine Welsh, whose first book, Trainspotting (1993), about a group of drug addicts and other no-hopers from a part of Edinburgh well off the Festival trail and the maps of tourists and Tories alike,...

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