Glengarry Glen Ross | Critical Overview

The initial critical reactions in London to Glengarry Glen Ross were overwhelmingly, but not unanimously, positive. Robert Cushman in the Observer called it "the best play in London." He was especially taken with Mamet's use of language and mentioned his "fantastic ear for emphasis and repetition and the interrupting of people who weren't saying anything anyway. Nobody alive writes better American." He went on to say, "Here at last, carving characters and conflicts out of language, is a play with real muscle: here, after all the pieces we have half-heartedly approved...

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