From 1933 to 1945 Nazi ideologues devised and implemented schemes whereby music could be used to further their goals. Their propaganda promoted the idea of German superiority in the art of composition and the inferiority of any music touched by Jews.

For centuries many German non-Jews had considered Jews to be culturally inferior. In his article "Das Judenthum in der Musik" (Judaism in Music), the composer Richard Wagner wrote, "The Jew speaks the modern European languages merely as learned, and not as mother tongues. This must necessarily prevent him from any capability of therein expressing himself idiomatically, independently and comfortably to his nature. Our entire European art and civilization have remained a foreign tongue to the Jew" (1850/1995, p. 84). Wagner also decried the influence of Jewish conductors and music critics: "The Jew . . . has been able to reach the rulership of public taste in the widest spread of modern...