How the Garcia Girls Lost Their Accents | Copyright

These eNotes are an offprint from Novels For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels.

Novels For Students

Project Editor David Galens

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The editors wish to thank the copyright holders of the excerpted cnticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/ Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NfS. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NFS, VOLUME 5, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Book Review, v. 14, August-September, 1992. © 1992 by The American Book Review. Reproduced by permission.

American Literature, v. 67, March, 1995. Copyright © 1995 Duke University Press, Durham, NC. Reproduced by permission.

Books Abroad, v. 47, Summer, 1973. Copyright © 1973 by the University of Oklahoma Press. Reproduced by permission.

Commonweal, v. CXIX, April 10,1992. Copyright © 1992 Commonweal Publishing Co., Inc. Reproduced by permission of Commonweal Foundation.

Critical Survey, v. 3, 1991. Reproduced by permission.

Dickens Studies Annual, v 1,1970. Copyright © 1970 by Southern Illinois University Press. All rights reserved. Reproduced by permission of AMS Press, Inc

English Journal, v. 54, January, 1965. Copyright © 1965 by the National Council of Teachers of English. Reproduced by permission of the publisher and the author.

Extrapolation, v. 32, Summer, 1991. Copyright © 1991 by The Kent State University Press. Reproduced by permission.

Journal of American Culture, v. 18, Winter, 1995. Reproduced by permission.

The Midwest Quarterly, v. XXX, Summer, 1989. Copyright © 1989 by The Midwest Quarterly, Pittsburg State University. Reproduced by permission.

Modern Fiction Studies, v. XTV, Autumn, 1968; v. 26, Summer, 1990. Copyright © 1968, 1990 by Purdue Research Foundation, West Lafayette, IN 47907. All rights reserved. Both reproduced by permission of The Johns Hopkins University.

The Nation, New York, v. 235, September 4, 1982. Copyright 1982 The Nation magazine/The Nation Company, Inc. Reproduced by permission

North Dakota Quarterly, v. 48, Autumn, 1980. Copyright 1980 by The University of North Dakota. Reproduced by permission.

Publishers Weekly, v. 243, December 16, 1996. Copyright 1996 by Reed Publishing USA. Reproduced from Publishers Weekly, published by the Bowker Magazine Group of Cahners Publishing Co., a division of Reed Publishing USA.

Studies in American Fiction, v. 7, Autumn, 1979; v. 14, Spring, 1986. Copyright © 1979,1986 Northeastern University. Both reproduced by permission.

Studies in American Indian Literature, v. 4, Spring, 1992 for "Love Medicine: A Metaphor for Forgiveness," by Lissa Schneider. Reproduced by permission of the author.

Studies in Twentieth Century Literature, v. 20, Winter, 1996. Copyright © 1996 by Studies in Twentieth Century Literature. Reproduced by permission.

World Literature Today, v. 69, Winter, 1995. Copyright © 1995 by the University of Oklahoma Press. Reproduced by permission.

COPYRIGHTED EXCERPTS IN NFS, VOLUME 5, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
Babb, Valerie Melissa. From Ernest Gaines. Twayne Publishers, 1991. Copyright © 1991 by G. K. Hall & Co. Excerpted with permission of Twayne Publishers, an imprint of Simon & Schuster Macmillan.
Daly, Jay. From Presenting S. E. Hinton. Twayne Publishers, 1987. Copyright © 1987 by Jay Daly. Excerpted with permission of Twayne Publishers, an imprint of Simon & Schuster Macmillan.
Gwaltney, Marilyn. From Retrofitting "Blade Runner": Issues in Ridley Scott's "Blade Runner" and Philip K. Dick's Do Androids Dream of Electric Sheep?". Edited by Judith B. Kerman. Bowling Green State University Popular Press, 1991. Copyright © 1991 by Bowling Green State University Popular Press. Reproduced by permission.

Sagarin, Edward. From Raskolnikov and Others: Literary Images of Crime, Punishment, Redemption, and Atonement. St. Martin's Press, 1981. Copyright © 1981 by St. Martin's Press, Inc. All rights reserved. Reprinted with permission of Bedford/St Martin's Press, Inc.

Simmons, John S. From Censored Books: Critical Viewpoints. Edited by Nicholas J. Karolides, Lee Burress, and John M. Kean. The Scarecrow Press, Inc., 1993. Copyright © 1993 by Nicholas J. Karolides, Lee Burress, and John M. Kean. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NFS, VOLUME 5, WERE RECEIVED FROM THE FOLLOWING SOURCES:

AP/WIDE WORLD PHOTOS: Gaines, Ernest J. (wearing beret), 1993, photograph by Alex Brandon. AP/Wide World Photos. Reproduced by permission.—Kingsolver, Barbara, photograph. AP/Wide World Photos. Reproduced by permission.—Marquez, Gabriel Garcia, photograph. AP/Wide World Photos. Reproduced by permission —Walker, Alice (sitting in a gilded Louis XV style chair), photograph. AP/Wide World Photos. Reproduced by permission.—Wharton, Edith, photograph. AP/Wide World Photos. Reproduced by permission.

ARCHIVE PHOTOS: Bay Beach, Mexico, photograph. Archive Photos, Inc. Reproduced by permission.—De Ubrique, Jesulin (biting horn of bull), photograph. Archive Photos, Inc. Reproduced by permission.—Emigrants camp, illustration. Archive Photos, Inc. Reproduced by permission.—Goldberg, Whoopi and Margaret Avery in the 1985 motion picture "The Color Purple," photograph. Archive Photos/Warner Bros. Reproduced by permission.—Massachussets in the winter, photograph. Archive Photos, Inc. Reproduced by permission.—Snow covered mountains (reflecting off body of water), Norway, photograph. Archive Photos, Inc. Reproduced by permission.—Tyson, Cicely, in the 1974 television movie "The Autobiography of Miss Jane Pittman," photograph. Archive Photos, Inc. Reproduced by permission.—Villa, Pancho, (seated on horse, sideways), photograph. Archive Photos, Inc. Reproduced by permission.

JERRY BAUER. Erdrich, Louise (standing in front of a tree, wearing a turtle broach), photograph by Jerry Bauer. Reproduced by permission.—Es-quivel, Laura, photograph © Jerry Bauer. Reproduced by permission.

CARROLL & GRAF: From a cover of Time Out of Joint, by Philip K. Dick. Carroll & Graf Publishers, Inc., 1987. Reproduced by permission.

CHAPMAN AND HALL: Browne, H. K., illustrator. From a cover of A Tale of Two Cities by Charles Dickens. Chapman and Hall, 1859.

CORBIS-BETTMAN: Black man drinking water at "colored" water cooler, 1939, photograph. Corbis-Bettmann. Reproduced by permission.— "Conquerors of the Bastille," engraving after a painting by Francois Flamena. Corbis-Bettmann. Reproduced by permission.—Dickens, Charles, photograph. Corbis-Bettmann. Reproduced by permission.—Hemingway, Ernest, photograph. Corbis-Bettmann. Reproduced by permission — Rolvaag, O. E. (wearing black rimmed glasses, tweed jacket), photograph. Corbis-Bettmann. Reproduced by permission.

WILLIAM EICHNER: Alvarez, Julia (dark, sleeveless dress), photograph by Sara Eichner. Reproduced by permission of William Eichner.

FIELD MARK PUBLICATIONS: Saguaro cacti, tall, columnar, candelabra-type cacti, hill in background, photograph by Robert J. Huffman. Field Mark Publications. Reproduced by permission.

FRENCH EMBASSY PRESS: Hugo, Victor (facing left, beard), drawing, French Embassy Press and Information Division.

GALE RESEARCH- Dominican Republic, map by Cartesia Software. Gale Research.

JAY KAY KLEIN: Card, Orson Scott (wearing square tinted glasses), photograph by Jay Kay Klein. Reproduced by permission.

THE KOBAL COLLECTION: Cavazos, Lumi, (holding baby in arms), starring in Alfonso Arau's film "Like Water for Chocolate," photograph. The Kobal Collection. Reproduced by permission.— Cavazos, Lumi with Marco Leonardi, (noses touching), starring in Alfonso Arau's "Like Water for Chocolate," photograph. The Kobal Collection. Reproduced by permission.—Estevez, Emilio, with Rob Lowe, C. Thomas Howell, Matt Dillon, Ralph Macchio, Patrick Swayze, and Tom Cruise, standing m group, in the film "The Outsiders," photograph. The Kobal Collection. Reproduced by permission.—Flynn, Errol, with Ava Gardner, Tyrone Power, Mel Ferrer and Eddie Albert, (at a busy cafe), in the film "The Sun Also Rises," photograph. The Kobal Collection. Reproduced by permission.—Ford, Harrison, (holding and aiming gun), in the film "Bladerunner," photograph. The Kobal Collection. Reproduced by permission.— Howell, C. Thomas, with Tom Cruise and Emilio Estevez, starring in the film "The Outsiders," photograph. The Kobal Collection. Reproduced by permission.—March, Frederic, in the film "Les Miserables," 1935, photograph. The Kobal Collection. Reproduced by permission.—Neeson, Liam (carrying sled), with Patricia Arquette, starring in the film "Ethan Frome," photograph. The Kobal Collection. Reproduced by permission.—Neeson, Liam with Patricia Arquette (holding each other), starring in the film "Ethan Frome," photograph. The Kobal Collection. Reproduced by permission.

LIBRARY OF CONGRESS: Steinbeck, John (herringbone jacket, plaid bow tie), photograph. The Library of Congress.—Trujillo Molina, Rafael (framed, with flag and shield), photograph. The Library of Congress.

NATIONAL ARCHIVES: Typical Chippewa Indian home, photograph. National Archives (NRE-75-MAO(PHO)-40).

SPRINGER/CORBIS-BETTMAN: Coleman, Ronald, in the film "A Tale of Two Cities," 1935, photograph Springer/Corbis-Bettmann. Reproduced by permission

UNITED NATIONS: Men packing bananas for shipment, Ecuador, photograph. United Nations. Reproduced by permission.

UPI/CORBIS-BETTMAN: King, Martin Luther, Coretta King, Ralph Bunche and Ralph Abernathy (starting last leg of Selma to Montgomery March), 1965, photograph. UPI/Corbis-Bettmann. Reproduced by permission.

THOMAS VICTOR: Hinton, S.E., photograph by Thomas Victor. Reproduced by permission.