Erdrich, Louise - Tracks
Tracks
LAURA E. TANNER (ESSAY DATE 1994)
SOURCE: Tanner, Laura E. “‘Known in the Brain and Known in the Flesh’: Gender, Race, and the Vulnerable Body in Tracks.” In Intimate Violence: Reading Rape and Torture in Twentieth-Century Fiction, pp. 115-41. Bloomington: Indiana University Press, 1994.
In the following essay, Tanner discusses the double implications of gender and race in Erdrich’s portrayal of rape in her novelTracks.
Rape begins, like many other forms of violence, with the painful confrontation of two bodies; more importantly, however, its dynamics originate out of two opposing experiences of embodiment. For the male violator, embodiment emerges as a source of strength rather than vulnerability. Often imaged as solid, fixed, powerful, the body of the rapist is capable not only of asserting his presence but of appropriating, reshaping,...
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Literary Criticism:
- Erdrich, Louise (Poetry)
- Love Medicine Louise Erdrich (Contemporary Literary Criticism)
- Erdrich, Louise (Contemporary Literary Criticism)
Salem on History:
Encyclopedia:
- Erdrich, Louise (The Oxford Companion to American Literature)
- Erdrich, Louise (The Oxford Companion to English Literature)
Calendar of Literary Facts:
Other titles by Louise Erdrich:
- Baptism of Desire
- Bidwell Ghost
- Captivity
- Conversations with Louise Erdrich and Michael Dorris
- Fleur
- Four Souls
- Jacklight
- Louise Erdrich
- Love Medicine
- Original Fire
- Saint Marie
- Tales of Burning Love
- The Antelope Wife
- The Beet Queen
- The Bingo Palace
- The Crown of Columbus
- The Last Report on the Miracles at Little No Horse
- The Leap
- The Master Butchers Singing Club
- The Plague of Doves
- The Red Convertible
- Tracks
- Where I Ought to Be
