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ADRIENNE RICH (ESSAY DATE 1976)

SOURCE: Rich, Adrienne. "Vesuvius at Home: The Power of Emily Dickinson." On Lies, Secrets, and Silence: Selected Prose 1966-1978, pp. 157-84. New York: W. W. Norton, 1979.

In the following essay, originally published in 1976, Rich celebrates Dickinson's poetry as a work of genius that was partly a response to the patriarchal culture of the nineteenth century but also informed by the poet's relationships with women. Rich also asserts that poetry was the primary goal of Dickinson's life, not the byproduct of other events, as has been claimed by some critics.

I am travelling at the speed of time, along the Massachusetts Turnpike. For months, for years, for most of my life, I have been hovering like an insect against the screens of an existence which inhabited Amherst, Massachusetts, between 1831 and 1884. The methods, the exclusions, of Emily...

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1. Introduction
2. Principal Works
3. Primary Sources
   1. Emily Dickinson (Poem Date 1861?)
   2. Emily Dickinson (Poem Date 1862?)
   3. Emily Dickinson (Poem Date 1862?)
   4. Emily Dickinson (Poem Date 1863?)
4. General Commentary
   1. Adrienne Rich (Essay Date 1976)
5. Title Commentary
   1. "A solemn thing—it was—I said" (Poem 271)
   2. "I dwell in Possibility—" (Poem 657)
   3. "Because I could not stop for Death—" (Poem 712)
6. Further Reading
7. Copyright

1. Emily Dickinson
2. Feminism