The Feminine Mystique | Copyright

These eNotes are an offprint from Nonfiction Classics for Students: Presenting Analysis, Context, and Criticism on Nonfiction Works.

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Nonfiction Classics for Students (NCfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIALS IN NCfS, VOLUME 5, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Arethusa, v. 17, Fall 1984. © The Johns Hopkins University Press. Reproduced by permission.— Commonweal, v. CXXIX, March 8, 2002. Copyright © 2002 Commonweal Publishing Co., Inc. Reproduced by permission of Commonweal Foundation.— Feminist Review, n. 27, Autumn 1987. Reproduced by permission of the publisher and the author.—Japan Quarterly, v. 47, April-June 2000. Reproduced by permission.—Journal of the West, v. 39, January 2000. Copyright © 2000 by Journal of the West, Inc. Reproduced by permission of Journal of the West, 1531 Yuma, Manhattan, KS 66502, USA.—New York Magazine, v. 28, April 24, 1995, Copyright © 1995 PRIMEDIA Magazine Corporation. All rights reserved. Reproduced with the permission of New York Magazine.—Nineteenth- Century Prose, v. 19, Summer 1992. Reproduced by permission.—Southern Review, v. 33, Winter 1997. Reproduced by permission of the author.—The Writer, v. 114, August 2001. Reproduced by permission of the author.—Yale Journal of Criticism, v. 39, Fall 1989. © The Johns Hopkins University Press. Reproduced by permission.

COPYRIGHTED MATERIALS IN NCfS, VOLUME 5, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Horowitz, Daniel. From “The Development of The Feminine Mystique, 1957–63,” in Betty Friedan and the Making of “The Feminine Mystique”: The American Left, The Cold War, and Modern Feminism. Edited by Christian G. Appy. Amherst: The University of Massachusetts Press, 1998. Copyright © 1998 by Daniel Horowitz. Reproduced by permission.— Smith, John E. From “Introduction,” in The Varieties of Religious Experience, by William James. Frederick Burkhardt, general editor; Fredson Bowers, textual editor. Harvard University Press; Cambridge, Mass, 1985. Copyright © 1985 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission Harvard University Press.—Weinblatt, Alan. From “Adequation as Myth in the Design of Selected Essays,” in T. S. Eliot and the Myth of Adequation. UMI Research Press, 1984. Edited by A. Walton Litz. Copyright © 1984 Alan Weinblatt. Reproduced by permission of the author.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCfS, VOLUME 5, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Aerial view of a village in Normandy, France, photograph. © Roger Ressmeyer/Corbis. Reproduced by permission.—Alighieri, Dante, photograph.— Baudelaire, Charles, illustration. The Library of Congress.—Brown, Dee, photograph by Dee Brown. Reproduced by permission of Dee Brown.— Carroll, Jim, photograph. © Roger Ressmeyer/Corbis. Reproduced by permission.—Constable, John, “The Haywain.” 1821. Oil on canvas. National Gallery, London, England. The Art Archive. Reproduced by permission.—DiCaprio, Leonardo, in scene from the 1995 film The Basketball Diaries, directed by Scott Kalvert, based on the novel by Jim Carroll, photograph. The Kobal Collection/Island Pictures. Reproduced by permission.—Edwards, Jonathan, engraving. The Library of Congress.—Eliot, T. S., photograph. International Portrait Gallery. Reproduced by permission.—Ernaux, Annie, photograph. © Bassouls Sophie/Corbis Sygma. Reproduced by permission.—Friedan, Betty, photograph. The Library of Congress.—Froines, John, Weiner, Lee, Hoffman, Abbie, Dellinger, David, Davis Rennie, Hayden, Tom and Rubin, Jerry, photograph. AP/Wide World Photos. Reproduced by permission.—General Douglas MacArthur (left) and Japanese Emperor Hirohito standing together during their first meeting at the U.S. Embassy in Tokyo, Japan, photograph. AP/Wide World Photos. Reproduced by permission.—Hirohito, touring bombed area of Tokyo, photograph. Hulton Getty/Liaison Agency. Reproduced by permission.—Hoffman, Abbie, photograph. AP/Wide World Photos. Reproduced by permission.—Hoffman, Abbie, photograph. NY Times collection, © Archive Photos, Inc. Reproduced by permission.—James, William, photograph. The Library of Congress.—Mead, Margaret, photograph. © Bettmann/Corbis. Reproduced by permission.—Sitting Bull, Chief of the Oglala Sioux, photograph. The Library of Congress.—St. John of the Cross.—Suburban housewife sitting on front step, photograph. © H. Armstrong Roberts/ Corbis. Reproduced by permission.—Tilley, Eustace, photograph. Originally appeared on the cover of the February 19, 1955, issue of The New Yorker. Artwork by Rea Irvin. Copyright © 1955 The New Yorker Magazine, Inc. Reprinted by permission. All Rights Reserved.—White, E. B., photograph. AP/ Wide World Photos. Reproduced by permission.— Wikes, John (seated, holding “LIBERTY”), engraving by James Moore after a drawing by William Hogarth. Archive Photos, Inc. Reproduced by permission.

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