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Extinction (Magill’s Literary Annual 1991-2005)

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Thomas Bernhard defies readers to like this book. For more than three hundred pages without a single indention, much less dialogue, Franz-Josef Murau disappears into the black hole of a cursed soul. Cast in the form of interior monologue, the novel consists of an extended attack on Murau’s family and Austrian homeland written in a rambling, discursive style that manages to be simultaneously vitriolic, claustrophobic, and hypnotic. The ordinary bookstore customer will barely open Extinction before reshelving it with a shudder, and Bernhard would surely wish him good...

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