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Everyday Use | Introduction

"Everyday Use" was published early in Alice Walker's writing career, appearing in her collection In Love and Trouble: Stories of Black Women in 1973. The work was enthusiastically reviewed upon publication, and "Everyday Use" has since been called by some critics the best of Walker's short stories. In letting a rural black woman with little education tell a story that affirms the value of her heritage, Walker articulates what has since become, as critic Barbara Christian notes, two central themes in her writing: "the importance of the quilt in her work ... [and] the creation of African American Southern women as subjects in their own right." When Mrs. Johnson snatches her ancestors' quilts from her daughter Dee, who wants to hang them on a wall, and gives them to Maggie, Walker illuminates her life-long celebration of rural Southern black womanhood. The motif of quilting has since become central to Walker's concerns, because it suggests the strength to be found in connecting with one's roots and one's past. As with many other stories by Walker, "Everyday Use" is narrated by the unrefined voice of a rural black woman, in the author's attempt to give a voice to a traditionally disenfranchised segment of the population.

Everyday Use Summary

Alice Walker's modern classic "Everyday Use" tells the story of a mother and her two daughters' conflicting ideas about their identities and ancestry. The mother narrates the story of the day one daughter, Dee, visits from college and clashes with the other daughter, Maggie, over the possession of some heirloom quilts.

The story begins with the narrator, a "big-boned woman with rough, man-working hands" awaiting the homecoming of her daughter Dee, an educated woman who now lives in the city. Accompanying her is her younger daughter, Maggie, a shy girl who regards her sister with a "mixture of envy and awe." As they wait, the narrator reveals details of the family history, specifically the relationship between her two girls. A fire when they were children destroyed their first house and left Maggie badly scarred on her arms and legs. The mother's memory of the night the house burned defines her two daughters: Maggie "with her hair smoking and her dress falling off her in little peppery flakes" and Dee "standing off under the sweet gum tree...[with] a look of concentration on her face as she watched the last dingy gray board of the house fall in toward the red-hot chimney.''

Since the fire the two... ยป Complete Everyday Use Summary