English-Language Opera (Critical Survey of Drama)
Origins
The history of opera written to an English libretto or book (either sung throughout or with spoken dialogue interspersed between the musical numbers) is one of long, deep valleys separated by but a few noteworthy crests. Following the invention of opera as a recognizable form by the Florentine camerata (a Humanistic discussion group that met in the late 1570’s and early 1580’s in the Florentine palace of Giovanni Bardi, Count of Vernio) just before the start of the seventeenth century, first France and then Germany joined Italy in developing a distinctly...
[The entire page is 6165 words long]
