Endgame | Life in the Box
In the following essay, Kenner discusses the elements of the game of chess found in Endgame and how the physical dimensions of the stage contribute to the play’s focus.
The stage is a place to wait. The place itself waits, when no one is in it. When the curtain rises on Endgame, sheets drape all visible objects as in a furniture warehouse. Clov’s first act is to uncurtain the two high windows and inspect the universe; his second is to remove the sheets and fold them carefully over his arm, disclosing two ash cans and a figure in an armchair. This is so plainly a metaphor for waking up that we fancy the stage, with its high peepholes, to be the inside of an immense skull. It is also a ritual for starting the play; Yeats arranged such a ritual...
[The entire page is 3412 words long]
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