Endgame | Critical Overview
When Endgame opened in 1957, Beckett described the event as ‘‘rather grim, like playing to mahogany, or rather teak.’’ Indeed, most critics found the play bewildering or they disliked it. Kenneth Tynan in the Observer said that Beckett’s new play made it ‘‘clear that his purpose is neither to move nor to help us. For him, man is a pygmy who connives at his own inevitable degradation.’’ Marc Bernard in Nouvelles litteraires said that he constantly had the impression that he was listening to a medieval fantasy or comic poem in which allegorical...
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