Criticism > Drama Criticism > Our Town, Thornton Wilder - T. H. McCulloh (review date 9 December 1995)
Our Town, Thornton Wilder - T. H. McCulloh (review date 9 December 1995)
T. H. McCulloh (review date 9 December 1995)
SOURCE: McCulloh, T. H. “Ordinary Becomes Extraordinary in Our Town.” Los Angeles Times (9 December 1995): F4.
[In the following review of the Fullerton College production of Our Town at the Bronwyn Dodson Theatre, McCulloh praises Wilder's script as insightful, powerful, affectionate, and poignant.]
Thornton Wilder's Our Town is arguably the greatest American play of the 20th century.
There are reasons for that. Wilder worked in an atmosphere of heightened creativity in the period between the two World Wars. Not only did he write a play about the lives of ordinary people in non-urban, pre-television America, but he did it with insight and immense affection. Wilder also told his tale of growing up and growing old in the small rural town of Grover's Corners, N.H., in what was considered a startling manner when the play opened on Broadway in 1938. It took place on...
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- Introduction
- Principal Works
- Criticism: Author Commentary
-
Criticism: Our Town (1938)
- Hap Erstein (review date 23 November 1990)
- T. H. McCulloh (review date 2 April 1993)
- Malcolm Johnson (review date 23 July 1994)
- T. H. McCulloh (review date 9 December 1995)
- Critical Commentary
- Arthur H. Ballet (essay date 1956)
- Francis Fergusson (essay date 1956)
- George D. Stephens (essay date February 1959)
- Helmut Papajewski (essay date 1961)
- Winfield Townley Scott (essay date 1961)
- Malcolm Goldstein (essay date 1965)
- Donald Haberman (essay date 1967)
- Jan Austell (essay date 1968)
- Michael A. D'Ambrosio (essay date October 1971)
- John V. Hagopian and Arvin R. Wells (essay date 1971)
- Donald Haberman (essay date 1996)
- Bert Cardullo (essay date September 1998)
- Further Reading
- Copyright
