Criticism > Drama Criticism > Our Town, Thornton Wilder - Donald Haberman (essay date 1967)
Our Town, Thornton Wilder - Donald Haberman (essay date 1967)
Donald Haberman (essay date 1967)
SOURCE: Haberman, Donald. “Our Town as Allegory.” In Readings on Our Town, edited by Thomas Siebold, pp. 60-65. San Diego: Greenhaven Press, 2000.
[In the following essay, originally published in 1967, Haberman analyzes Our Town as an allegorical work in the manner of the medieval morality play Everyman.]
Characterization and narration, in Thornton Wilder's theater, are inextricably bound. The two are related not merely as a matter of being consistent to a single style; their unity and Wilder's use of it determine the style, for his practice is to give over psychological characterization in favor of an arbitrary and artificial arrangement of events.
In “Some Thoughts on Playwriting” Wilder defined his goals in characterization.
Imaginative narration—the invention of souls and destinies—is to a philosopher an all but indefensible activity.
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- Introduction
- Principal Works
- Criticism: Author Commentary
-
Criticism: Our Town (1938)
- Hap Erstein (review date 23 November 1990)
- T. H. McCulloh (review date 2 April 1993)
- Malcolm Johnson (review date 23 July 1994)
- T. H. McCulloh (review date 9 December 1995)
- Critical Commentary
- Arthur H. Ballet (essay date 1956)
- Francis Fergusson (essay date 1956)
- George D. Stephens (essay date February 1959)
- Helmut Papajewski (essay date 1961)
- Winfield Townley Scott (essay date 1961)
- Malcolm Goldstein (essay date 1965)
- Donald Haberman (essay date 1967)
- Jan Austell (essay date 1968)
- Michael A. D'Ambrosio (essay date October 1971)
- John V. Hagopian and Arvin R. Wells (essay date 1971)
- Donald Haberman (essay date 1996)
- Bert Cardullo (essay date September 1998)
- Further Reading
- Copyright
