Lovell, Thomas Beddoes - Copyright Page

ISSN 1056-4349

CRITICISM

Criticism of the Most Significant and Widely Studied Dramatic Works from all the World’s Literatures

VOLUME 15

Rebecca Blanchard Justin Karr Editors

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Library of Congress Catalog Card Number 92-648805
ISBN 0-7876-5219-9
ISSN 1056-4349
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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of DC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN DC, VOLUME 15, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

The American Scholar, v. 63, Summer, 1994. Reproduced by permission.—Arizona Quarterly, v. 26, Spring, 1970 for “‘...Apart from the Known and the Unknown’: The Unreconciled Worlds of Harold Pinter’s Characters,” by Francis Gillen. Reproduced by permission of the publisher and the author.—The Catholic World, v. 210, December, 1969. Reproduced by permission of America Press, Inc., 106 West 56th Street, New York, NY 10019 for the Literary Estate of Catharine Hughes.—The Christian Science Monitor, June 24, 1964. Reproduced by permission.—Classical and Modern Literature,

  • v. 16, Spring, 1996 for “A Kind of Alaska: Pinter and Pygmalion,” by Ronald Knowles. © 1996 CML, Inc. Reproduced by permission of the publisher and the author.—Comparative Drama, v. 26, Fall, 1992. Reproduced by permission.— Contemporary Literature, v. 11, Summer, 1970; v. 13, Winter, 1972. Both reproduced by permission.—Critical Quarterly,
  • v. 20, Winter, 1978. Reproduced by permission of Blackwell Publishers.—Drama Critique, v. 2, 1968 for “Pinter and Menace,” by Ray Orley. Reproduced by permission of the author.—Drama Survey, v. 4, Winter, 1965 for “The Fool-Hero of Michel de Ghelderode,” by Helen Hellman. Reproduced by permission of the author/v. 5, Spring, 1966 for “Faust and Anti-Faust in Modern Drama,” by Douglas Cole. Reproduced by permission of the author.—English, v. 22, Autumn, 1975 for “The Memory of All That: Pinter’s Old Times,” by Tony Aylwin. Reproduced by permission of the author.—The English Record, Winter, 1971 for “Perceiving Pinter,” by Alfred E. Rickert. Reproduced by permission of the publisher and the author.—English Studies, v. 62, June, 1981. Reproduced by permission.—Essays in Literature, v. 18, Spring, 1991. Reproduced by permission.—The French Review, v. XXXXI, October, 1967; v. XLVIII, May, 1975. Both reproduced by permission.—The Hudson Review, v. 6, Summer, 1953 for “Beddoes: The Mask of Parody,” by Louis O. Coxe. Reproduced by permission of the Literary Estate of Louis O. Coxe./v. 14, Spring, 1961; v. 14, Winter, 1961; v. 21, Autumn, 1968. All reproduced by permission.—Kansas Quarterly, v. 3, Spring, 1971 for “Harold Pinter—Past and Present,” by Lois
  • G. Gordon. Reproduced by permission of the publisher and the author.—The Massachusetts Review, v. 8, Autumn, 1967. Reproduced by permission.—Massachusetts Studies in English, v. 11, Summer, 1992. Reproduced by permission.— Modern Drama, v. 11, 1969; v. 16, 1973. Both reproduced by permission.—The New Republic, v. 162, April 25, 1970. Reproduced by permission.—New Statesman, v. 55, May 31, 1958; v. 59, January 30, 1960; v. 59, May 7, 1960; v. 69, June 11, 1965. All reproduced by permission.—The New Yorker, v. 38, December 8, 1962 for “Comedies of Terror” by Edith Oliver. © 1962 by The New Yorker Magazine, Inc. All rights reserved. Reproduced by permission of the Literary Estate of Edith Oliver.—The Quarterly Journal of Speech, v. 58, February, 1972 for “Non-Verbal Communication and the Overlooked Action in Pinter’s The Caretaker,” by Robert P. Murphy. Reproduced by permission of the publisher and the author./v. 55, December, 1969. Reproduced by permission of the publisher.—Renascence, v. 20, Autumn, 1967; v. 21, Autumn, 1968. Both reproduced by permission.—Saturday Review, v. 53, April 25, 1970. Reproduced by permission of The Saturday Review, © 1970, General Media International, Inc.—The Southern Quarterly, v. 12, April, 1974. Reproduced by permission.—The Spectator, London, June 11, 1965. Reproduced by permission.—Stanford French Review, v. 2, Winter, 1978 for “Michel de Ghelderode’s Escurial: The Alchemist’s Nigredo,” by Bettina Knapp. Reproduced by permission of the publisher and the author.—Studia Neophilologica, v. 39, 1967; v. 63, 1991. Both reproduced by permission.— Studies in English Literature, 1500-1900, v. 29, Autumn, 1989. Reproduced by permission.—Texas Quarterly, v. 4, Autumn, 1961. Reproduced by permission.—Theatre Studies, v. 37, 1992. Reproduced by permission.—The Tulane Drama Review, v. 8, Fall, 1963;v. 11, Winter, 1966. Both reproduced by permission.—University of Windsor Review, v. 13, Spring, 1978. Reproduced by permission.—Virginia Quarterly Review, v. 68, Fall, 1992. Reproduced by permission.
    • COPYRIGHTED EXCERPTS IN DC, VOLUME 15, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

    Esslin, Martin. From “Harold Pinter’s Theatre of Cruelty,” in Pinter at Sixty. Edited by Katherine H. Burkman and John L. Kundert-Gibbs. Indiana University Press, 1993. © 1993 by Indiana University Press. All rights reserved. Reproduced by

    permission of the author.—Gregory, Horace. From Spirit of Time and Place: Collected Essays of Horace Gregory. W. W. Norton & Company, Inc., 1973. Copyright © 1973 by Horace Gregory. Reproduced by permission.—Hinchliffe, Arnold P. From “After ‘No Man’s Land’: A Progress Report,” in Harold Pinter: Critical Approaches. Edited by Steven H. Gale. Fairleigh Dickinson University Press, 1986. © 1986 by Associated University Presses, Inc. Reproduced by permission.— Hinchliffe, Arnold P. From Harold Pinter. Revised edition. Twayne Publishers, 1981. Copyright © 1981 by G. K. Hall & Co. The Gale Group.—Kennedy, Andrew K. From “Pinter” in Six Dramatists in Search of a Language: Studies in Dramatic Language. Cambridge University Press, 1975. © Cambridge University Press 1975. Reproduced by permission of the author and the publisher.—Kerr, Walter. From Harold Pinter. Columbia University Press, 1967. Copyright © 1967 Columbia University Press. Reproduced by permission.—Knowles, Ronald. From Understanding Harold Pinter. University of South Carolina Press, 1995. © 1995 by the University of South Carolina. Reproduced by permission.—Mengel, Ewald. From “‘Yes! In the Sea of Life Enisled’: Harold Pinter’s ‘Other Places’,” in Harold Pinter: A Casebook. Edited by Lois Gordon. Garland Publishing, Inc., 1990. © 1990 by Lois Gordon. All rights reserved. Reproduced by permission of the publisher and the author.—Merritt, Susan Hollis. From Pinter in Play: Critical Strategies and the Plays of Harold Pinter. Duke University Press, 1990. Copyright 1989 by Susan Hollis Merritt. All rights reserved. Reproduced by permission.— Nelson, Hugh. From “‘The Homecoming’: Kith and Kin,” in Modern British Dramatists: A Collection of Critical Essays. Edited by John Russell Brown. Prentice-Hall, Inc., 1968. Copyright © 1967 by Prentice-Hall, Inc. Reproduced by permission of the Literary Estate of Hugh Nelson.—Nightingale, Benedict. From “Harold Pinter/Politics,” in Around the Absurd: Essays on Modern and Postmodern Drama. Edited by Enoch Brater and Ruby Cohn. The University of Michigan Press, 1990. Copyright © by The University of Michigan, 1990. All rights reserved. Reproduced by permission.—Parsell, David

    B. From Michel de Ghelderode. Twayne, 1993. The Gale Group.—Piette, Alain. From “Michel de Ghelderode’s ‘La Balade du Grand Macabre’: The Triumph of Life,” in Before His Eyes: Essays in Honor of Stanley Kauffmann. Edited by Bert Cardullo. University Press of America, 1986. Copyright © 1986 by University Press of America, Inc. Reproduced by permission.—Thompson, James R. From Thomas Lovell Beddoes. Twayne Publishers, 1985. Copyright © 1985 by G. K. Hall & Company. All rights reserved. The Gale Group.

    PHOTOGRAPHS APPEARING IN DC, VOLUME 15, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Pinter, Harold, photograph. AP/Wide World Photos. Reproduced by permission.—Title page with engraving from Death’s Jest-Book or The Fool’s Tragedy, written by Thomas Lovell Beddoes, photograph. Special Collections Library, University of Michigan. Reproduced by permission.