Handke, Peter - Copyright Page

ISSN 1056-4349

CRITICISM

Criticism of the Most Significant and Widely Studied Dramatic Works from All the World’s Literatures

VOLUME 17

Scott T. Darga Editor

Project Editor

Janet Witalec

Editorial

Scott Darga, Kathy D. Darrow, Madeline S. Harris, Ellen McGeagh, Ron Morelli

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Drama Criticism, Vol. 17

Research

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ISBN 0-7876-5946-0
ISSN 1056-4349

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of DC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN DC, VOLUME 17, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Drama, v. 4, Spring, 1995. Reproduced by permission.—American Quarterly, v. 15, Winter, 1963. © The Johns Hopkins University Press. Reproduced by permission.—Classical and Modern Literature: A Quarterly, v. 17, Fall, 1996. Reproduced by permission.—Dance Research Journal, v. 25, Spring, 1993. Reproduced by permission.—Essays in Criticism, v. 26, n. 1, January, 1976, pp. 28-41, for “Serious Bunburyism: The Logic of ‘The Importance of Being Earnest’,” by Geoffrey Stone. Reproduced by permission of Oxford University Press.—The Explicator, v. 54, Fall, 1995; v. 57, Winter, 1999; v. 59, Spring, 2001. Reproduced by permission.—Forum for Modern Language Studies, v. 29, n. 1, January, 1993, pp. 31-45, for “Folded Eternity: Time and the Mythic Dimension in Cocteau’s ‘La machine infernale,’” by Derek F. Con-non. Reproduced by permission of Oxford University Press.—Germanic Review, v. 37, January, 1962. Reproduced by permission.—Journal of the Hellenic Diaspora, v. 26, 2000. Reproduced by permission.—Literature/Film Quarterly, v. 26, 1998. Reproduced by permission.—Los Angeles Times, v. 104, 1 August, 1985. Reproduced by permission.—Modern Austrian Literature, v. 2, Summer, 1969; v. 19, 1986. Reproduced by permission.—Modern Drama, v. 6, December, 1964;

  • v. 11, 1968; v. 19, March, 1976; v. 29, September, 1986; v. 33, September, 1990; v. 37, Spring, 1994; v. 39, Winter, 1996;
  • v. 41, Summer, 1998. Reproduced by permission.—Modern Fiction Studies, v. 36, Autumn, 1990. Reproduced by permission.—Modern Language Quarterly, v. 35, n. 2, June, 1974, pp. 173-86, for “Oscar Wilde’s Great Farce: ‘The Importance of Being Ernest,’” by David Parker. Copyright University of Washington. Reproduced by permission.—Modern Language Review, v. 89, July, 1994, for “The Comedy of Schnitzler’s ‘Reigen,’” by Ian F. Roe; v. 95, October, 2000, for “Dramaturgies of Sprachkritik: Rainer Werner Fassbinder’s ‘Blut Am Hals Der Katze’ and Peter Handke’s ‘Kaspar,’” by David Barrett © Modern Humanities Research Association, 1994. Reproduced by permission of the publisher.—Mosaic, March, 2000. Reproduced by permission.—The Nation, New York, v. 149, October 28, 1939. © 1939 The Nation magazine/The Nation Company, Inc. Reproduced by permission.—New York Times, v. 144, 26 December, 1994. Reproduced by permission.—Nineteenth Century Theatre, v. 23, Summer-Winter, 1995 for “The Persons of the Play: Some Reflections on Wilde’s Choice of Names in ‘The Importance of Being Earnest,’” by Peter Raby. Reproduced by permission of publisher and the author.—Philological Quarterly, v. 63, Spring, 1984 for “Peter Handke’s ‘Kaspar’: A Study of Linguistic Theory in Modern Drama” by Jeffrey Herrick. Reproduced by permission by the author.—The Quarterly Journal of Speech, v. 51, n. 3, October, 1965, pp. 311-25, for “Cocteau’s ‘Orphee’: From Myth to Drama and Film,” by Chester Clayton Long. Reproduced by permission of the National Communication Association.—Raritan, Winter, 1985. Reproduced by permission.—Romance Notes, v. 27, Autumn, 1986. Reproduced by permission.—Romance Quarterly, v. 35, November, 1988. Reproduced by permission.—The Saturday Review, v. 44, June 24, 1961. © 1961 Saturday Review Magazine, © 1979 General Media International, Inc. Reproduced by permission.—Spectator, v. 165, September 13, 1940. © 1940 by The Spectator. Reproduced by permission of The Spectator.—Texas Review, v. 5, 1920. Reproduced by permission.—Theater,
  • v. 9, Spring, 1978; v. 24, n.1, Summer, 1993, pp. 87-92, for “Seeing Through the Eyes of the Word,” by Gitta Honegger. Copyright © Theater 1978, Copyright Yale School of Drama/Yale Repertory Theater, 1993. Reproduced by permission.— TriQuarterly, v. 15, Spring, 1969 for “Overtures to Wilde’s ‘Salome,’” by Richard Ellman. Copyright 1969 by Richard Ell-man. Reproduced by permission of Donadio & Olson, Inc.—The Victorian Newsletter, v. 89, Spring, 1996 for “A Source Victorian or Biblical?: The Integration of Biblical Diction and Symbolism in Oscar Wilde’s ‘Salome,’” by Jason P. Mitchell. Reproduced by permission of author.—Washington Post, 9 October, 1998, p. N41, for “The Truth About Lake Constance,” by Sarah Kaufman. Reproduced by permission.—Washington Times, 27 September, 1998. Copyright © News-World Communications, Inc. Reprinted by permission of The Washington Times.—Word & Image, v. 4, January-March, 1988. Reproduced by permission of Taylor & Francis Ltd., http://www.tandf.co.uk/journals.—World Literature Today, v. 73, Autumn, 1999. Reproduced by permission.
    • COPYRIGHTED MATERIAL IN DC, VOLUME 17, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

    Finney, Gail. From “Female Sexuality and Schnitzler’s ‘La Ronde,’” in Women in Modern Drama: Freud, Feminism, and European Theater at the Turn of the Century. Cornell University Press, 1989. Copyright © 1989 by Cornell University Press. All rights reserved. Reproduced by permission of the publisher, Cornell University Press.—Firda, Richard Arthur. From “Theatrical Experiments,” in Peter Handke. Twayne Publishers, 1993. Copyright © 1993 by Twayne Publishers. All rights reserved. Reproduced by permission.—Hern, Nicholas. From “Kaspar,” in Peter Handke: Theatre and Anti-Theatre. Oswald Wolff, 1971. Copyright © 1971 by Oswald Wolff. All right reserved. Reproduced by permission.—Hern, Nicholas. From “Offending the Audience,” in Peter Handke: Theatre and Anti-Theatre. Oswald Wolff, 1971. Copyright © 1971 by Oswald Wolff. All rights reserved. Reproduced by permission.—Hern, Nicholas. From “The Ride Over Lake Constance,” in Peter Handke: Theatre and Anti-Theatre. Oswald Wolff, 1971. Copyright © 1971 by Oswald Wolff. All rights reserved. Reproduced by permission.—Mason, Jeffrey D. From Farce. Cambridge University Press, 1988. © Cambridge University Press 1988. Reproduced by permission Cambridge University Press.—Schlueter, June. From “Kaspar,” in The Plays and Novels of Peter Handke. University of Pittsburgh Press, 1981. Copyright © 1981 by University of Pittsburgh Press. All rights reserved. Reproduced by permission.—Schneider-Halvorson, Brigitte L. From “Der Gang Zum Weiher,” in The Late Dramatic Works of Arthur Schnitzler. Peter Lang, 1983. Copyright © 1983 by Peter Lang. All rights reserved. Reproduced by permission.—Schneider-Halvorson, Brigitte L. From “Die Schwestern oder Casanova in Spa,” in The Late Dramatic Works of Arthur Schnitzler. Peter Lang, 1983. Copyright © 1983 by Peter Lang. All rights reserved. Reproduced by permission.—Schneider-Halvorson, Brigitte L. From “Im Spiel Der Sommerlufte,” in The Late Dramatic Works of Arthur Schnitzler. Peter Lang, 1983. Copyright © 1983 by Peter Lang. All rights reserved. Reproduced by permission.—Swales, Martin. From “Tragedy and Comedy,” in Arthur Schnitzler: A Critical Study. Oxford University Press, 1971. Copyright © 1971 by Oxford University Press. All rights reserved. Reproduced by permission of Oxford University Press.—Urbach, Reinhard. From “Early Full-Length Plays,” in Arthur Schnitzler. Frederick Ungar Publishing Co., 1973. Copyright © 1973 by Frederick Ungar Publishing Co. All rights reserved. Reproduced by permission of the Continuum International Publishing Company.

    PHOTOGRAPHS APPEARING IN DC, VOLUME 17, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Cocteau, Jean, photograph. AP/Wide World Photos. Reproduced by permission.—Handke, Peter, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Kaufman, George S., photograph. The Library of Congress.— Schnitzler, Arthur, photograph. © Bettmann/Corbis. Reproduced by Corbis Corporation.—Wilde, Oscar, photograph.

    Literary Criticism Series Advisory Board

    The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

    Dr. Toby Burrows Mary Jane Marden

    Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

    Mark Schumacher Steven R. Harris Jackson Library English Literature Librarian University of North Carolina at Greensboro University of Tennessee

    Gwen Scott-Miller David M. Durant Fiction Department Manager Joyner Library Seattle Public Library East Carolina University