Criticism > Drama Criticism > Handke, Peter - Alan Riding (review date 26 December 1994)
Handke, Peter - Alan Riding (review date 26 December 1994)
Alan Riding (review date 26 December 1994)
SOURCE: Riding, Alan. “The Drama before Language Intervenes.” New York Times 144 (26 December 1994): 33.
[In the following review, Riding discusses the production of Handke's The Hour We Knew Nothing of Each Other and how a play without words, only sound and actions, achieves a greater level of drama.]
A play without words? Mime, of course. Well, no. In mime, gestures replace words and, in the end, little is left unsaid. Peter Handke's idea is different. He looks around and sees myriad brief encounters that never reach the stage of words. So he has written a play before words.
It is not hard to imagine. In the hurried solitude of urban life, individuals send out “here-I-am” messages through their appearance and body language. Without a word being uttered, they set off responses of fear, respect, curiosity, arousal, indifference, disapproval. Then the moment passes and...
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- Introduction
- Principal Works
- Criticism: General Commentary
- Criticism: Publikumsbeschimpfung (Offending The Audience)
- Criticism: Kaspar
- Criticism: Der Ritt üEber Den Bodensee (The Ride Across Lake Constance)
- Criticism: Die UnvernüNftigen Sterben Aus (They Are Dying Out)
- Criticism: Das Spiel Vom Fragen Oder (Voyage To The Sonorous Land)
- Criticism: Die Stunde Da Wir Nichts Voneinander Der WuβTen: (The Hour We Knew Nothing Of Each Other)
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