Exiles, James Joyce - Copyright Page

ISSN 1056-4349

CRITICISM

Criticism of the Most Significant and Widely Studied Dramatic Works from All the World’s Literatures

VOLUME 16

Allison Marion Editor

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ISSN 1056-4349
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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of DC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN DC, VOLUME 16, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Classical and Modern Literature, v. 15, Summer, 1995. © 1995 CML, Inc. Reproduced by permission.—Comparative Literature Studies, v. 21, Winter, 1984. © 1984 Board of Trustees of the University of Illinois. Reproduced by permission.—Educational Theatre Journal, v. 30, December, 1978. Reproduced by permission.—ELH, v. 36, December, 1969. © The Johns Hopkins University Press. Reproduced by permission.—Explicator, v. 45, Fall, 1986. Reproduced by permission.—Georgia Review, v. 39, Fall, 1985 for “American Theater Watch, 1984-1985,” by Gerald Weales. Reproduced by permission of the author.—Hudson Review, v. XV, Spring, 1962; v. 38, Summer, 1985. Copyright © 1962, 1985 by The Hudson Review, Inc. Reproduced by permission.—Interpretation, for “The Comic Remedy in Private Spectacle: Machiavelli’s ‘Mandragola’,” by Mera J. Flaumenhaft. Reproduced by permission.—James Joyce Quarterly, v. 3, Fall, 1965; v. 6, Fall, 1968; v. 9, Summer, 1972; v. 11, Fall, 1973; v. 15, Winter, 1978; v. 17, Fall, 1979; v. 19, Fall, 1981. Reproduced by permission.—Modern Drama, v. XXIX, December, 1986. Reproduced by permission.—Modern Fiction Studies, v. 4, Spring, 1958. Copyright © 1958 by Purdue Research Foundation, West Lafayette, IN 47907. All rights reserved. Reproduced by permission of The Johns Hopkins University.—The Nation, New York, v. 207, October 28, 1968; June 11, 1977. © 1968, 1977 The Nation Magazine/The Nation Company, Inc. Reproduced by permission.—The New Republic, v. 141, September 28, 1959; v. 159, November 9, 1968. Reproduced by permission.—New Statesman, v. 82, October 15, 1971. © 1971 Statesman & Nation Publishing Company Limited. Reproduced by permission.—The New York Times, January 19, 1984. Copyright © 1984 by The New York Times Company. Reprinted by permission.—Papers on Language and Literature, v. 15, Spring, 1979. Copyright © 1979 by The Board of Trustees, Southern Illinois University at Edwardsville. Reproduced by permission.—Perspectives on Political Science, v. 25, Summer, 1996. Reproduced by permission.— Resources for American Literary Study, v. 17, Spring, 1990. Reproduced by permission.—Seattle Times, May 13, 1999. Copyright © 1999 The Seattle Times Company. Reproduced by permission.—Studies in Philology, v. 82, Fall, 1985. © 1985 The University of North Carolina Press. Reproduced by permission.—Text and Performance Quarterly, v. 12, January, 1992 for “David Rabe and the Female Figure: The Body in the Boom Boom Room,” by Les Wade. Reproduced by permission of the author.—Theater, v. 9, Spring, 1978; v. XVI, Spring, 1985; v. 25, 1994; v. 28, 1998; v. 29, 1999. Copyright © Theater 1978, 1985, 1994, 1998, 1999. Reproduced by permission.—Theatre Annual, v. 41, 1986. Reproduced by permission.—Theatre Journal, v. 38, October, 1986. Reproduced by permission.—Theatre Studies, v. 43, 1998. © 1998, The Lawrence and Lee Theatre Research Institute. Reproduced by permission.—Tulane Drama Review, v. 8, Spring, 1964 for “Interviews with Judith Malina and Kenneth H. Brown” by Richard Schechner. Copyright ©, 1964, Tulane Drama Review. Reproduced by permission of the publisher and the author. —War, Literature and the Arts, v. 9, Spring, 1997 for “Blackness and the Unmanning of America in Dave Rabe’s ‘Streamers’,” by Owen Brady. Reproduced by permission of the author.—William Carlos Williams Newsletter, v. III, Fall, 1977. Copyright © 1977 Theodora R. Graham. Reproduced by permission.

COPYRIGHTED MATERIAL IN DC, VOLUME 16, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Atkinson, James B. From “An Essay on Machiavelli and Comedy,” in The Comedies of Machiavelli: The Woman from Andros the Mandrake Clizia. Edited and translated by David Sices and James B. Atkinson. University Press of New England, 1985. Copyright 1985 by Trustees of Dartmouth College. All rights reserved. Reproduced by permission.— Benstock, Bernard. From James Joyce. Frederick Ungar Publishing Co., 1985. Copyright © 1985 by Frederick Ungar Publishing Co., Inc. Reproduced by permission.—Bernstein, Samuel J. From The Strands Entwined: A New Direction in

American Drama. Northeastern University Press, 1980. Copyright © Northeastern University 1980. All rights reserved. Reproduced by permission.—Brandabur, Edward. From A Scrupulous Meanness: A Study of Joyce’s Early Work. University of Illinois Press, 1971. © 1971 by the Board of Trustees of the University of Illinois. Reproduced by permission of the author.—Christie, N. Bradley. From “Still a Vietnam Playwright After All These Years,” in David Rabe: A Casebook. Edited by Toby Silverman Zinman. Garland Publishing, Inc., 1990. © 1991 Toby Silverman Zinman. All rights reserved. Reproduced by permission of Routledge, Inc., part of The Taylor & Francis Group.—Farrell, James. From “‘Exiles’ and Ibsen,” in James Joyce: Two Decades of Criticism. Edited by Seon Givens. The Vanguard Press, Inc., 1963. Copyright, 1948, 1963, by Vanguard Press, Inc. Reproduced by permission.—Faulkner, Robert. From “‘Clizia’ and the Enlightenment of Private Life,” in The Comedy and Tragedy of Machiavelli: Essays on the Literary Works. Edited by Vickie B. Sullivan. Yale University Press, 2000. Copyright © 2000 by Yale University. All rights reserved. Reproduced by permission.—Fergusson, Francis. From The Human Image in Dramatic Literature. Doubleday & Company, Inc., 1957. Coypright © 1957, renewed in 1985 by Francis Fergusson. All rights reserved. Reproduced by permission.—Harding, James M. From “Dissent behind the Barricades: Radical Art, Revolutionary Stages, and Avant-Garde Divisions,” in Contours of the Theatrical Avant-Garde: Performance and Textuality. Edited by James M. Harding. The University of Michigan Press, 2000. Copyright © by the University of Michigan Press. All rights reserved. Reproduced by permission.— Henke, Suzette A. From James Joyce and The Politics of Desire. Routledge, 1990. © 1990 Suzette A. Henke. All rights reserved. Reproduced by permission of the publisher and author.—Hertzbach, Janet S. From “The Plays of David Rabe: A World of Streamers,” in Essays on Contemporary American Drama. Edited by Hedwig Bock and Albert Wertheim. Max Hueber Verlag, 1981. © 1981 Max Hueber Verlag Munchen. Reproduced by permission.—Hornby, Richard. From Mad About Theatre. Applause, 1996. Copyright © 1996 by Richard Hornby. All rights reserved. Reproduced by permission.— Kenner, Hugh. From Dublin’s Joyce. Indiana University Press, 1956. All rights reserved. Reproduced by permission.— Magalaner, Marvin and Richard M. Kain. From Joyce: The Man, the Work, the Reputation. New York University Press, 1956. Copyright © 1956 by New York University. Reproduced by permission of Marvin Magalaner.—Mansfield, Harvey C. From “The Cuckold in Machiavelli’s ‘Mandragola’,” in The Comedy and Tragedy of Machiavelli: Essays on the Literary Works. Edited by Vickie B. Sullivan. Yale University Press, 2000. Copyright © 2000 by Yale University. All rights reserved. Reproduced by permission.—McDonough, Carla J. From Staging Masculinity: Male Identity in Contemporary American Drama. McFarland & Company, Inc., Publishers, 1997. © 1997 Carla J. McDonough. All rights reserved. Reproduced by permission of McFarland & Company, Inc., Box 611, Jefferson NC 28640. www.mcfarlandpub.com.— Paolucci, Henry. From “Translator’s Introduction,” in Mandragola: Niccolo Machiavelli. Translated by Anne and Henry Paolucci. Macmillan Publishing Company, 1957. Copyright © 1957 by Macmillan Publishing Company, a division of Macmillan, Inc. All rights reserved. Reproduced by permission.—Ruffo-Fiore, Silvia. From Niccolo Machiavelli. Twayne Publishers, 1982. Copyright © 1982 by G. K. Hall & Company.—Sainer, Arthur. From The New Radical Theatre Notebook. Applause, 1997. Copyright © 1975, 1997 by Arthur Sainer. All rights reserved. Reproduced by permission.— Saxonhouse, Arlene W. From “Comedy, Machiavelli’s Letters, and His Imaginary Republics,” in The Comedy and Tragedy of Machiavelli: Essays on the Literary Works. Edited by Vickie B. Sullivan. Yale University Press, 2000. Copyright © 2000 by Yale University. All rights reserved. Reproduced by permission.—Tindall, William York. From A Reader’s Guide to James Joyce. Farrar, Straus & Giroux, 1959. Copyright © 1959 by William York Tindall. Reprinted by permission of Farrar, Straus and Giroux, LLC.—Williams, Raymond. From “Exiles,” in James Joyce: New Perspectives. Edited by Colin MacCabe. Indiana University Press, 1982. © The Harvester Press 1982. All rights reserved. Reproduced by permission.— Zinman, Toby Silverman. From “An Interview with David Rabe,” in David Rabe: A Casebook. Edited by Toby Silverman Zinman. Garland Publishing, Inc., 1990. © 1991 Toby Silverman Zinman. All rights reserved. Reproduced by permission of Routledge, Inc., part of The Taylor & Francis Group.

PHOTOGRAPHS APPEARING IN DC, VOLUME 16, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Beck, Julian, and Judith Malina, 1964, photograph. Bettmann/Corbis. Reproduced by permission.—Joyce, James, photograph. AP/Wide World Photos. Reproduced by permission.—Machiavelli, Niccolo, illustration. Archive Photos, Inc. Reproduced by permission.—Rabe, David, photograph. AP/Wide World Photos. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

Mark Schumacher

David M. Durant Jackson Library Reference Librarian, Joyner Library University of North Carolina at Greensboro East Carolina University

Steven R. Harris

English Literature Librarian University of Tennessee