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Since this page cannot legibly accommodate all copyright notices, the acknowledgments constitute an extension of the copyright notice.

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Library of Congress Catalog Card Number 92-648805
ISBN 0-7876-3141-8
ISSN 1056-4349
Printed in the United States of America

10987654321

COPYRIGHTED EXCERPTS IN DC, VOLUME 13, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Bulletin of the Comediantes, v. 33, Spring, 1981 for “Tirso’s Don Juan and the Opposing Self” by Everett W. Hesse./v. 37, Summer, 1985 for “Love, Matrimony and Desire in the Theatre of Tirso de Molina” by Henry W. Sullivan./v. 40, Summer, 1988 for “Tirso de Molina’s Idea of ‘Tragedia’” by David H. Darst./v. 40, Winter, 1988 for “Language and Seduction in ‘El Burlador de Seville’” by James Mandrell./v. 42, Summer, 1990 for “The ‘Burlador’ and the ‘Burlados’: A Sinister Connection” by Raymond Conlon. All reproduced by permission of the authors.—The Centennial Review, v. XXXII, Summer, 1988 for “Megan Terry and Family Talk” by Judith Babnich. Copyright © The Centennial Review, 1988. All rights reserved. Reproduced by permission of the publisher and author.—Commonweal, v. CXVIII, May 3, 1991. Copyright © 1991 Commonweal Publishing Co., Inc. Reproduced by permission of Commonweal Foundation.—Comparative Drama, v. 25, Winter, 1991/92. © copyright 1991-92, by the Editors of Comparative Drama. Reproduced by permission.—Critica Hispanica, v. 9, 1987. Reproduced by permission.—Drama, 1988 for a lecture delivered on October 21, 1987 by Alan Ayckbourn. © Haydonning 1988./Autumn, 1973 for “Plays in Performance” by J. W. Lambert and others. Both reproduced by permission.—The Drama Review, v. 21, December, 1977 for “Two Pages a Day” by Megan Terry. Copyright © 1977, The Drama Review. Reproduced by permission of the publisher and the author.—Forum for Modern Language Studies, v. XXII, July, 1986. Reproduced by permission.—The French Review, v. LVIII, March, 1985; v. 62, April, 1989; v. 66, October, 1992. Copyright 1985, 1989, 1992 by the American Association of Teachers of French. All reproduced by permission.—French Studies, v. XLV, April, 1991. Reproduced by permission.—Hispanic Review, v. 58, Summer, 1990. Reproduced by permission.—History of European Ideas, v. 20, 1995. Copyright © 1995 Elsevier Science Ltd. All rights reserved. Reproduced by permission.—The Hudson Review, v. XLIV, Summer, 1991. Copyright © 1991 by The Hudson Review, Inc. Reproduced by permission.—Kentucky Romance Quarterly, v. 29, 1982. Copyright © 1982 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—L’ Esprit Créateur, v. XXXVI, Spring, 1996. Copyright © 1996 by L’Esprit Créateur. Reproduced by permission.—MLN, v. 90, April, 1975. © copyright 1975 by The Johns Hopkins University Press. All rights reserved. Reproduced by permission.—Modern Drama, v. XXVI, March, 1983; v. XXVII, December, 1984. Copyright © 1983, 1984 University of Toronto, Graduate Centre for Study of Drama. Both reproduced by permission.—Modern Languages Journal, v. 70, June, 1989. Reproduced by permission.—Modern Languages, v. LIX, September, 1978. Reproduced by permission.—The Nation, New York, v. 252, April 8, 1991. © 1991 The Nation magazine/The Nation Company, Inc. Reproduced by permission.—The New Leader, v. LXXV, June 1-15, 1992. © 1992 by The American Labor Conference on International Affairs, Inc. Reproduced by permission.—Nottingham French Studies, v. 29, Spring, 1990; v. 33, Spring, 1994. © The University of Nottingham 1990, 1994. Both reproduced by permission.—Papers on French Seventeenth Century Literature, v. XV, 1988; v. XVI, 1989; v. XXII, 1995. © 1988, 1989, 1995 PFSCL. All reproduced by permission.—PMLA, v. 89, January, 1974. Copyright © 1974 by the Modern Language Association of America. Reproduced by permission of the Modern Language Association of America.— Renascence, v. XXXVII, Summer, 1985. © copyright, 1985, Marquette University Press. Reproduced by permission.— Romance Languages Annual, v. 1, 1989; v. 6, 1994. © 1990, 1995 by Purdue Research Foundation. All rights reserved. Both reproduced by permission.—Romance Notes, v. XXIII, Winter, 1982; v. XXXII, Fall, 1991. Both reproduced by permission.—The Romanic Review, v. 45, 1974. © The Trustees of Columbia University. Reproduced by permission.— Studies in American Drama, 1945-Present, v. 2, 1987; v. 4, 1989. Copyright © by Philip C. Kolin and Colby H. Kullman. Both reproduced by permission.—Theatre Journal, v. 34, October, 1982. © 1982 University and College Theatre Association of the American Theatre Association. Reproduced by permission of The Johns Hopkins University Press.—The Times Educational Supplement, March 15, 1991 for “Plotting Success” by Reva Klein. © The Times Supplements Limited 19 Reproduced from The Times Educational Supplement by permission of the author.—Times Literary Supplement, November 1, 1991; August 19, 1992; August 13, 1993. © The Times Supplements Limited 1991, 1992, 1993. All reproduced from

The Times Literary Supplement by permission.—The University of Mississippi Studies in English, v. X, 1992. Copyright © 1992 The University of Mississippi. Reproduced by permission.—Variety, May 4, 1992. Reproduced by permission.

COPYRIGHTED EXCERPTS IN DC, VOLUME 13, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Bermel, Albert. From “Fears into Laughs,” in One Act Comedies of Moliere. Second edition. Translated by Albert Bermel. Frederick Ungar Publishing Co., 1975. Copyright © 1975 by Albert Bermel. Reproduced by permission.—Betsko, Kathleen, and Rachel Koenig. From an interview in Interviews with Contemporary Women Playwrights. Beech Tree Books, 1987. Copyright © 1987 by Kathleen Betsko and Rachel Koenig. All rights reserved. Reprinted by permission of Harper-Collins Publishers, Inc.—Breslauer, Jan and Helene Keyssar. From “Making Magic Public: Megan Terry’s Traveling Family Circus,” in Making A Spectacle: Feminist Essays on Contemporary Women’s Theatre. Edited by Lynda Hart. The University of Michigan Press, 1989. Copyright © by The University of Michigan 1989. All rights reserved. Reproduced by permission.—Cave, Richard Allen. From New British Drama in Performance on the London Stage: 1970 to 1985. Colin Smythe, 1987. Copyright © 1987 by Richard Allen Cave. All rights reserved. Reproduced by permission.—Kauffmann, Stanley. From Persons of the Drama: Theater Criticism and Comment. Harper & Row, Publishers, 1976. Copyright © 1966 by Stanley Kauffmann. All rights reserved. Reprinted by permission of Brandt & Brandt Literary Agents, Inc.— Keyssar, Helene. From Feminist Theatre. Macmillan, 1984. © Helene Keyssar 1984. All rights reserved. Reproduced by permission.—Londre, Felica Hardison. From an interview in Speaking on Stage: Interviews with Contemporary American Playwrights. Edited by Philip C. Konlin and Colby H. Kullman. The University of Alabama Press, 1996. Copyright © 1996. All rights reserved. Reproduced by permission of the publisher and the author.—Marranca, Bonnie. From American Playwrights: A Critical Survey, Vol. 1. by Bonnie Marranca and Gautam Dasgupta. Drama Book Specialists, 1981. Copyright © 1981 by Bonnie Marranca and Gautam Dasgupta. All rights reserved. Reproduced by permission of the author.—McKendrick, Melveena. From “Tirso de Molina and the other Lopistas,” in Theatre in Spain, 1490-1700. Cambridge University Press, 1989. © Cambridge University Press 1989. Reproduced by permission.—Soufas, Teresa Scott. From Melancholy and the Secular Mind in Spanish Golden Age Literature. University of Missouri Press, 1990. Copyright © 1990 by The Curators of the University of Missouri. All rights reserved. Reproduced by permission.—Taylor, John Russell. From “Art and Commerce: The New Drama in the West End Marketplace,” in Contemporary English Drama. Edited by C. W. E. Bigsby. Edward Arnold, 1981. Copyright © Edward Arnold (Publishers) Ltd. 1981. Reproduced by permission.—Taylor, John Russell. From The Second Wave: British Drama for the Seventies. Hill and Wang, 1971. Copyright © 1971 by John Russell Taylor. All rights reserved. Reproduced by permission of The Peters Fraser and Dunlop Group Limited on behalf of John Russell Taylor.

PHOTOGRAPHS APPEARING IN DC, VOLUME 13, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Ayckbourn, Alan, photograph. AP/Wide World Photos. Reproduced by permission.—Moli&eagrave;re, engraving. The Library of Congress.—Tirso de Molina, engraving. The Library of Congress.