Criticism > Drama Criticism > Bernhard, Thomas - Rüdiger Görner (essay date 1988)
Bernhard, Thomas - Rüdiger Görner (essay date 1988)
Rüdiger Görner (essay date 1988)
SOURCE: “The Excitement of Boredom—Thomas Bernhard,” in A Radical Stage: Theatre in Germany in the 1970s and 1980s, edited by W.G. Sebald, St. Martin’s Press, 1988, pp. 161–73.
[In the following essay, Görner asserts that “the question of what sustains the individual, given the overwhelming sense of pointlessness, is one of the main concerns in Thomas Bernhard’s dramatic works.”]
‘Sometimes boredom was unobtrusive and sometimes nauseating and when I could no longer stand it’, Sartre wrote in his autobiographical essay Les Mots, ‘I would succumb to the deadliest temptation. Orpheus lost Eurydice through impatience; I often lost myself through impatience.’1 There can be no doubt that ennui has become one of the most debilitating and chronic afflictions of our age. Moreover, the diagnosis is now almost as commonplace as is the syndrome. All needs seem to be...
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Criticism: Overviews And General Studies
- Alfred Barthofer (essay date 1978)
- Martin Esslin (essay date Spring-Summer 1978)
- Hans Wolfschütz (essay date 1980)
- Martin Esslin (essay date January 1981)
- Gita Honegger (essay date Winter 1983)
- Gerald A. Fetz (essay date December 1984)
- Martin Esslin (essay date 1985)
- Gudrun Brokoph-Mauch (essay date 1987)
- Nicholas Eisner (essay date March 1987)
- Rüdiger Görner (essay date 1988)
- Stephen D. Dowden (essay date 1991)
- William E. Gruber (essay date 1994)
- Bianca Theisen (essay date April 1996)
- Criticism: Der Ignorant Und Der Wahnsinnige
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