Criticism > Drama Criticism > Bernhard, Thomas - Martin Esslin (essay date Spring-Summer 1978)
Bernhard, Thomas - Martin Esslin (essay date Spring-Summer 1978)
Martin Esslin (essay date Spring-Summer 1978)
SOURCE: “Contemporary Austrian Playwrights,” in Performing Arts Journal, Vol. 3, Nos. i–ii, Spring-Summer, 1978, pp. 93–8.
[In the following essay, Esslin places Bernhard within the context of contemporary Austrian dramatists and compares his plays to those of Irish writer Samuel Beckett.]
Austrian writers use the German language and there is thus not little confusion about whether a world-renowned playwright and novelist like Peter Handke is German or Austrian. Yet the distinction is not without importance, and is becoming increasingly so. Present-day Austria is the remnant of the nucleus of what was, until 1918, one of Europe’s great Empires, rivaling Germany and Russia in extent and population. Between 1918 and 1938 Austria was, it is true, independent, but unwillingly so: the German-speaking part of the rump of the Austro-Hungarian Empire wanted to join Germany, and it was only...
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Criticism: Overviews And General Studies
- Alfred Barthofer (essay date 1978)
- Martin Esslin (essay date Spring-Summer 1978)
- Hans Wolfschütz (essay date 1980)
- Martin Esslin (essay date January 1981)
- Gita Honegger (essay date Winter 1983)
- Gerald A. Fetz (essay date December 1984)
- Martin Esslin (essay date 1985)
- Gudrun Brokoph-Mauch (essay date 1987)
- Nicholas Eisner (essay date March 1987)
- Rüdiger Görner (essay date 1988)
- Stephen D. Dowden (essay date 1991)
- William E. Gruber (essay date 1994)
- Bianca Theisen (essay date April 1996)
- Criticism: Der Ignorant Und Der Wahnsinnige
- Criticism: Die Macht Der Gewohnheit
- Criticism: Die BerüHmten
- Criticism: Der Weltverbesserer
- Criticism: Vor Dem Ruhestand
- Criticism: Der Schein TrüGt
- Criticism: Ritter, Dene, Voss
- Criticism: Der Theatermacher
- Criticism: Elisabeth Ii
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