Criticism > Drama Criticism > Bernhard, Thomas - Alfred Barthofer (essay date 1978)
Bernhard, Thomas - Alfred Barthofer (essay date 1978)
Alfred Barthofer (essay date 1978)
SOURCE: “The Plays of Thomas Bernhard—A Report,” in Modern Austrian Literature, Vol. 11, No. 1, 1978, pp. 21–48.
[In the following essay, Barthofer explores possible influences on Bernhard’s dramatic style and provides an overview of his early plays, contending that they do not “fit easily into commonly accepted categories of literary classification.”]
Thomas Bernhard is at the moment not only one of the most prolific and versatile but also one of the most successful young writers in the field of German drama. His plays have been performed in Berlin, Hamburg, Munich, Frankfurt, Essen, Zürich, Basel, at the Salzburg Festivals, and even in as conservative a place as the Burgtheater in Vienna. He won the Büchner-Prize, the Austrian Staatspreis, the Wildgans-Prize, the Literaturpreis der Freien und Hansestadt Bremen, and most of his plays have been shown on television in...
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- Principal Works
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Criticism: Overviews And General Studies
- Alfred Barthofer (essay date 1978)
- Martin Esslin (essay date Spring-Summer 1978)
- Hans Wolfschütz (essay date 1980)
- Martin Esslin (essay date January 1981)
- Gita Honegger (essay date Winter 1983)
- Gerald A. Fetz (essay date December 1984)
- Martin Esslin (essay date 1985)
- Gudrun Brokoph-Mauch (essay date 1987)
- Nicholas Eisner (essay date March 1987)
- Rüdiger Görner (essay date 1988)
- Stephen D. Dowden (essay date 1991)
- William E. Gruber (essay date 1994)
- Bianca Theisen (essay date April 1996)
- Criticism: Der Ignorant Und Der Wahnsinnige
- Criticism: Die Macht Der Gewohnheit
- Criticism: Die BerüHmten
- Criticism: Der Weltverbesserer
- Criticism: Vor Dem Ruhestand
- Criticism: Der Schein TrüGt
- Criticism: Ritter, Dene, Voss
- Criticism: Der Theatermacher
- Criticism: Elisabeth Ii
- Criticism: Heldenplatz
- Further Reading
- Copyright
