Becque, Henri | Copyright Page
ISSN 1056-4349
Criticism of the Most Significant and Widely Studied Dramatic Works from All the World’s Literatures
VOLUME 21
Janet Witalec Project Editor
Project Editor
Janet Witalec
Editorial
Tom Burns, Scott Darga, Kathy D. Darrow, Rebecca Long, Lemma Shomali, Timothy J. Sisler
Research
Michelle Campbell, Tracie A. Richardson
©
Gale and Design® and Thomson Learning™ are trademarks used herein under license.
For more information, contact
The Gale Group, Inc. 27500 Drake Rd. Farmington Hills, MI 48331-3535 Or you can visit our internet site at http://www.gale.com
ALL RIGHTS RESERVED
No part of this work covered by the copyright herein may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution, or information storage retrieval systems—without the written permission of the publisher.
Drama Criticism, Vol. 21
Indexing Services
Synapse, the Knowledge Link Corporation
Permissions
Shalice Shah-Caldwell, Emma Hull
Imaging and Multimedia
Dean Dauphinais, Lezlie Light, Dan Newell, Dave Oblender, Luke Rademacher
This publication is a creative work fully protected by all applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. The authors and editors of this work have added value to the underlying factual material herein through one or more of the following: unique and original selection, coordination, expression, arrangement, and classification of the information.
For permission to use material from the product, submit your request via the Web at http://www.gale-edit.com/permissions, or you may download our Permissions Request form and submit your request by fax or mail to:
Permisssions Department
The Gale Group, Inc.
27500 Drake Rd.
Farmington Hills, MI 48331-3535
Permissions Hotline:
248-699-8006 or 800-877-4253, ext. 8006
Fax 248-699-8074 or 800-762-4058
Composition and Electronic Capture
Carolyn Roney
Manufacturing
Stacy L. Melson
Since this page cannot legibly accommodate all copyright notices, the acknowledgments constitute an extension of the copyright notice.
While every effort has been made to secure permission to reprint material and to ensure the reliability of the information presented in this publication, the Gale Group neither guarantees the accuracy of the data contained herein nor assumes any responsibility for errors, omissions or discrepancies. Gale accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.
LIBRARY OF CONGRESS CATALOG CARD NUMBER 76-46132
ISBN 0-7876-6811-7
ISSN 1056-4349
Printed in the United States of America 10987654321
Acknowledgments
The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of DC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED MATERIAL IN DC, VOLUME 21, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:
Colloquia Germanica, v. 14, 1981 for “Hebbel and Georg Kaiser: Reflections of ‘Judith’ in ‘Die Burger von Calais’” by George C. Tunstall. Copyright © 1981. Reproduced by permission of the author.—The Commonweal, February 12, 1954; December 23, 1955; November 8, 1963. Copyright © 1954, renewed 1982; copyright © 1955, renewed 1983; copyright © 1963, renewed 1991 by Commonweal Publishing Co., Inc. All reproduced by permission of Commonweal Foundation. For subscriptions, www.commonwealmagazine.org.—Comparative Drama, v. 8, Fall, 1974. Copyright © 1974 by the Editors of Comparative Drama. Reproduced by permission.—Euphorion, 1966. Copyright © 1966. Reproduced by permission.— The French Review, v. 55, December, 1981; v. 59, February, 1986; v. 63, October, 1989; v. 63, February, 1990; v. 67, March, 1994; v. 72, December, 1998. Copyright © 1981, 1986, 1989, 1990, 1994, 1998 by the American Association of Teachers of French. All reproduced by permission.—French Studies, v. 47, April, 1993. Copyright © 1993. Reproduced by permission.—Hebbel-Jahrbuch 1969, 1969. Copyright © 1969. Reproduced by permission.—Hebbel-Jahrbuch 1977, 1977. Copyright © 1977. Reproduced by permission.—MLN, v. 79, October, 1964; v. 87, October, 1972. Copyright © 1964, renewed 1992; copyright © 1972 by The Johns Hopkins University Press. Both reproduced by permission.—Modern Drama, v. 6, December, 1963; v. 8, December, 1965; v. 29, December, 1986. Copyright © 1963, 1965, 1986 by University of Toronto, Graduate Centre for Study of Drama. All reproduced by permission.—Modern Language Review, v. 77, July, 1982; v. 81, January, 1986. Copyright © 1982, 1986 by Modern Humanities Research Association. Both reproduced by permission of the publisher and the respective authors.—The Nation, (New York), May 27, 1961; October 5, 1964; October 8, 1973. Copyright © 1961, renewed 1989; copyright © 1964, renewed 1992; copyright © 1973 by The Nation magazine/ The Nation Company, Inc. Renewed 1989. All reproduced by permission.—New German Studies, v. 12, Summer, 1984. Copyright © 1984. Reproduced by permission.—The New Republic, January 25, 1954; December 5, 1955. Copyright © 1954, 1955, both renewed 1983 by The New Republic, Inc. Both reproduced by permission of The New Republic.—Orbis Litterarum, v. 28, 1973. Copyright © 1973 by Munksgaard International Publishers, Ltd. Reproduced by permission.— Papers on French Seventeenth Century Literature, v. 9, 1982; v. 10, 1983; v. 11, 1984; v. 15, 1988; v. 25, 1998. Copyright © 1982, 1983, 1984, 1988, 1998. All reproduced by permission.—Romance Notes, v. 22, Winter, 1981. Copyright © 1981. Reproduced by permission.—South Atlantic Bulletin, v. 33, May, 1968. Copyright © 1968. Reproduced by permission.—Theatre Journal, v. 34, October, 1982. Copyright © 1982 by University and College Theatre Association of the American Theatre Association. Reproduced by permission of The Johns Hopkins University Press.
COPYRIGHTED MATERIAL IN DC, VOLUME 21, WAS REPRODUCED FROM THE FOLLOWING BOOKS:
Amoia, Alba. From Twentieth-Century European Drama. Edited by Brian Docherty. St. Martin’s Press, 1994. Copyright © 1994 by Brian Docherty, ed. All rights reserved. Reproduced by permission of Palgrave Macmillan.—Carlson, Marvin. From The French Stage in the Nineteenth Century. The Scarecrow Press, Inc., 1972. Copyright © 1972 by Marvin Carlson. All rights reserved. Reproduced by permission.—Carrington, Ildiko de Papp. From The Rest of the Story: Critical Essays on Alice Munro. Edited by Robert Thacker. ECW Press, 1999. Copyright © 1999 by ECW Press. All rights reserved. Reproduced by permission.—Greenberg, Mitchell. From Corneille, Classicism and The Ruse of Symmetry. Cambridge University Press, 1986. Copyright © 1986 by Cambridge University Press. All rights reserved. Reproduced by permission from Cambridge University Press and the author.—Harris, Brian. From From the Bard to Broadway: The University of Florida Department of Classics Comparative Drama Conference Papers, Volume VII. Edited by Karelisa V. Hartigan. University Press of America, 1987. Copyright © 1987 by University Press of America, Inc. All rights reserved. Reproduced by permission.—Hubert, Judd D. From Convergences: Rhetoric and Poetic in Seventeenth-Century France, Essays for
Hugh M. Davidson. Edited by David Lee Rubin and Mary B. McKinley. Ohio State University Press, 1989. Copyright © 1989 by Ohio State University Press. All rights reserved. Reproduced by permission.—Hubert, Judd D. From Corneille’s Performative Metaphors. Rookwood Press, 1997. Copyright © 1997 by Rookwood Press, Inc. All rights reserved. Reproduced by permission.—Huneker, James. From Iconoclasts: A Book of Dramatists. Charles Scribner’s Sons, 1922. Copyright © 1905 by Charles Scribner’s Sons. All rights reserved. Reproduced by permission.—Knutsen, Harold C. From Corneille Comique: Nine Studies of Pierre Corneille’s Comedy with an Introduction and a Bibliography. Edited by Milorad R. Margitic. Papers on French Literature, 1982. Copyright © 1982 by PFSCL. All rights reserved. Reproduced by permission.—Lob, Ladislaus. From From Lessing to Hauptmann: Studies in German Drama. University Tutorial Press, 1974. Copyright © 1974 by Ladislaus Lob. All rights reserved. Reproduced by permission.—McFarlane, Ian. From The Equilibrium of Wit: Essays for Odette de Mourgues. Edited by Peter Bayley and Dorothy Gabe Coleman. French Forum, 1982. Copyright © 1982 by French Forum, Publishers, Incorporated. All rights reserved. Reproduced by permission.— Purdie, Edna. From Friedrich Hebbel: A Study of His Life and Work. Oxford University Press, 1932. Reproduced by permission of Oxford University Press.—Schuler, Marilyn V. From Myths and Realities of Contemporary French Theater: Comparative Views. Edited by Patricia M. Hopkins and Wendell M. Aycock. Texas Tech Press, 1985. Copyright © 1985. Reproduced by permission.
PHOTOGRAPHS APPEARING IN DC, VOLUME 21, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Anouilh, Jean, photograph. Copyright © by Bettmann/Corbis. Reproduced by permission.—Becque, Henri, engraving. Copyright © by The Art Archive/Musee Carnavalet Paris/Dagli Orti. Reproduced by permission.—Corneille, Pierre, photograph. Copyright © by The Art Archive/Bibliotheque des Arts Decoratifs Paris/Dagli Orti. Reproduced by permission.— Hebbel, Friedrich, engraving. Copyright © by Archive Photos, Inc. Reproduced by permission.
Literary Criticism Series Advisory Board
The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.
Dr. Toby Burrows Mary Jane Marden
Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library
Mark Schumacher Steven R. Harris
Jackson Library English Literature Librarian
University of Tennessee University of North Carolina at Greensboro
David M. Durant Gwen Scott-Miller
Joyner Library Fiction Department Manager East Carolina University Seattle Public Library
Navigate
