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COPYRIGHTED EXCERPTS IN DC, VOLUME 14, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

America, v. 163, December 8, 1990. Reproduced by permission.—American Literature, v. 42, March, 1970. Reproduced by permission.—Booklist, v. 79, July, 1983. Copyright © 1983 by the American Library Association. Reproduced by permission.—Books Abroad, v. 49, Summer, 1975. Copyright 1975 by the University of Oklahoma Press. Reproduced by permission of the publisher.—Colloquia Germanica, v. 19, 1986 for “Grillparzer’s ‘Konig Ottokars Gluck und Ende’ and Shakespeare’s ‘Richard II’” by Roger A. Nicholls. Reproduced by permission of the author.—Comparative Drama, v. 21, Summer, 1987. © 1987, by the Editors of Comparative Drama. Reproduced by permission.—Educational Theater Journal, v. 20, December, 1968. © 1968, University and College Theatre Association of the American Theatre Association. Reproduced by permission of The Johns Hopkins University Press.—English Studies, v. 75, May, 1994. © 1994, Swets & Zeitlinger. Reproduced by permission.—Film Comment, v. 25, May-June, 1989 for “Beth’s Beauties” by Karen Jaehne. Copyright © 1989 by Film Comment Publishing Corporation. Reproduced by permission of the author.—Forum for Modern Language Studies, v. 12, April, 1976 for “An Off-Stage Decision: An Examination of an Incident in Grillparzer’s ‘Ein Bruderzwist in Habsburg’” by Bruce Thompson. Reproduced by permission of the publisher and author.—The French Review, v. 41, February, 1968. Copyright © 1968 by the American Association of Teachers of French. Reproduced by permission.—The Germanic Review, v. 39, 1964 for “Grillparzer’s Ottokar” by Walter Silz. Reproduced by permission.— Jahrbuch fur Internationale, v. 16, 1984. Reproduced by permission.—Michigan Germanic Studies, v. 1, Fall, 1975. Reproduced by permission.—Modern Austrian Literature, v. 11, 1978; v. 17, December, 1984; v. 18, December, 1985; v. 21, 1988. © copyright International Arthur Schnitzler Association 1978, 1984, 1985, 1988. All reproduced by permission.— Modern Drama, v. 15, March, 1973; v. 23, January, 1981; v. 30, March, 1987; v. 35, March, 1992; v. 36, March, 1993, v. 38, Fall, 1995. Copyright © 1973, 1981, 1987, 1992, 1993, 1995 University of Toronto, Graduate Centre for Study of Drama. All reproduced by permission.—Modern Language Notes, v. 111, April, 1996. © 1996 by The Johns Hopkins University Press. Reproduced by permission.—Modern Language Quarterly, v. 25, March, 1964; v. 43, March, 1982. Both reproduced by permission.—Modern Language Review, v. 66, April, 1971 for “’Weh dem, der lugt:’ Grillparzer and the Avoidance of Tragedy” by Ruth Kluger. © Modern Humanities Research Association 1971. Reproduced by permission of the publisher and the author.—Modernism/Modernity, v. 3, May, 1996. Reproduced by permission.—Mosaic, v. 30, March, 1997; v. 31, December, 1998. © Mosaic 1997, 1998. Acknowledgment of previous publication is herewith made.—The National Observer, v. 10, November 20, 1971. © 1971 Dow Jones & Company, Inc. Reprinted by permission The Wall Street Journal. All rights reserved worldwide.—New York, v. 23, November 12, 1990; v. 31, October 26, 1998. Copyright © 1990, 1998 PRIMEDIA Magazine Corporation. All rights reserved. Both reproduced with the permission of New York Magazine.—The New Yorker, v. 66, November 12, 1990. © 1990 by the author. All rights reserved. Reproduced by permission.—October, v. 64, Spring, 1993. © 1993 October Magazine, Ltd. and Massachusetts Institute of Technology. Reproduced by permission of The MIT Press, Cambridge, MA.—The Paris Review, v. 34, Winter, 1992. © 1992 The Paris Review, Inc. Reproduced by permission.—Performing Arts Journal, v. 3, Spring-Summer, 1978; v. 6, 1981. © 1978, 1981 The Johns Hopkins University Press. Both reproduced by permission.—Players Magazine, v. 51, October, 1975 for “A Rhetoric of American Popular Drama: The Comedies of Neil Simon” by Helen McMahon. Reproduced by permission of the author.— Romance Notes, v. 33, Winter, 1992. Reproduced by permission.—Studies in American Drama, 1945-Present, v. 6, 1991. Reproduced by permission.—Theater, v. 15, Winter, 1983. Copyright © 1983 by Duke University Press, Durham, NC. Reproduced by permission.—Variety, v. 335, May 10, 1989; v. 351, August 9, 1993. Both reproduced by permission.— World Literature Today, v. 51, Summer, 1977; v. 54, Summer, 1980; v. 55, Winter, 1981; v. 58, Summer, 1984; v. 60, Winter, 1986; v. 62, Summer, 1988. Copyright 1977, 1980, 1981, 1984, 1986, 1988 by the University of Oklahoma Press. All reproduced by permission of the publisher.—Yale French Studies, n. 31, 1964 for “Artaud: A New Type of Magic” by Bettina Knapp; n. 39, 1967 for “Antonin Artaud: Metaphysical Revolutionary” by Naomi Greene. Copyright © Yale French Studies 1964, 1967. Both reproduced by permission.

COPYRIGHTED EXCERPTS IN DC, VOLUME 14, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Akstens, Thomas. From “Representation and De-realization: Artaud, Genet, and Sartre,” in Antonin Artaud and the Modern Theater. Edited by Gene A. Plunka. Fairleigh Dickinson University Press, 1994. © 1994 by Associated University Presses. All rights reserved. Reproduced by permission.—Brokoph-Mauch, Gudrun. From “Thomas Bernhard,” in Major Figures of Contemporary Austrian Literature. Edited by Donald G. Daviau. Peter Lang, 1987. © Peter Lang Publishing, Inc., New York 1987. Reproduced by permission.—Deleuze, Gilles. From “The Schizophrenic and Language: Surface and Depth in Lewis Carroll and Antonin Artaud,” in Textual Strategies: Perspectives in Post-Structuralist Criticism. Edited by Josue V. Harari. Cornell University Press, 1979. Copyright © 1979 Cornell University. All rights reserved. Reproduced by permission.—Dowden, Stephen D. From Understanding Thomas Bernhard. University of South Carolina Press, 1991. Copyright © 1991 University of South Carolina. Reproduced by permission.—Goff, Penrith. From “The Play within the Play in Grillparzer’s ‘Des Meeres und der Liebe Wellen’,” in Studies in Nineteenth Century and Early Twentieth Century German Literature: Essays in Honor of Paul K. Whitaker. Edited by Norman H. Binger and A Wayne Wonderley. APRA-Press, 1974. Reproduced by permission.—Görner, Rüdiger. From “The Excitement of Boredom—Thomas Bernhard,” in A Radical Stage: Theatre in Germany in the 1970s and 1980s. Edited by W. G. Sebald. Berg Publishers Limited, 1988. Reproduced by permission.—Gruber, William E. From Missing Persons: Character and Characterization in Modern Drama. The University of Georgia Press, 1994. © 1994 by the University of Georgia Press. Reproduced by permission.— Johnson, Robert K. From Neil Simon. Twayne Publishers, 1983. Copyright © 1983 by G. K. Hall & Company. All rights reserved. Reproduced by permission.—Koos, Leonard R. From “Comic Cruelty: Artaud and Jarry,” in Antonin Artaud and the Modern Theater. Edited by Gene A. Plunka. Fairleigh Dickinson University Press, 1994. © 1994 by Associated University Presses. All rights reserved. Reproduced by permission.—Rosefeldt, Paul. From The Absent Father in Modern Drama. Peter Lang, 1995. © 1995 Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Schmidt, Hugo. From “Realms of Action in Grillparzer’s ‘Ein Bruderzwist in Habsburg,’” in Studies in the German Drama: A Festschrift in Honor of Walter Silz. Edited by Donald H. Crosby and George C. Schoolfield. The University of North Carolina Press, 1974. © University of North Carolina Studies in the Germanic Languages and Literatures. Reproduced by permission.—Thompson, Bruce. From Franz Grillparzer. Twayne Publishers, 1981. Copyright © 1981 by G. K. Hall & Co. All rights reserved. Reproduced by permission.—Wolfschütz, Hans. From “Thomas Bernhard: The Mask of Death,” in Modern Austrian Writing: Literature and Society After 1945. Edited by Alan Best and Hans Wolfschütz. Oswald Wolff Publishers, 1980. © 1980 Oswald Wolff (Publishers) Ltd. Reproduced by permission.—Woolf, Michael. From “Neil Simon,” in American Drama. Edited by Clive Bloom. Macmillan, 1995. © The Editorial Board, Lumiere (Co-operative) Press Ltd 1995. All rights reserved. Reproduced by permission.

PHOTOGRAPHS APPEARING IN DC, VOLUME 14, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Artaud, Antonin, photograph. © Hulton Getty/Liaison Agency. Reproduced by permission.—Grillparzer, Franz, engraving. The Library of Congress.—Henley, Beth, photograph. AP/Wide World Photos. Reproduced by permission.—Simon, Neil, photograph. AP/Wide World Photos. Reproduced by permission.