Dec 22, 2009
Denise Levertov’s poetry is a perpetual irritant to the pragmatist. As Robert Duncan demonstrated in The Truth and Life of Myth (1968), modern critics disliked the young Levertov’s Hasidic fancies of angels disguised as peddlers on a New York street. For Levertov, the natural world manifests revelation, and if realists are impatient with her, she is frustrated with their resignation:
why should people
plod forever on foot, not glide like herons
through the blue and white
promise unfolding
over their heads, over...
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