Death and the Maiden | Historical Context
Ariel Dorfman carefully specifies in his stage directions that Death and the Maiden is set in "a country that is probably Chile but could be any country that has given itself a democratic government just after a long period of dictatorship.'' There is both a specificity and a universality to the play, as many critics have noted, making it extremely topical in the late-twentieth century era of tentative political transformation. Frank Rich of the New York Times, for example, called the play a "mousetrap designed to catch the conscience of an international audience at a...
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