Dec 23, 2009
The characters in The Day of the Locust (like those in Miss Lonelyhearts, 1933) make less sense as individuals than as aspects of personality dissolving in the mob-thinking of the betrayed crowd. Except for Tod, they are not really people; many are faceless, with incomplete physical description, or are portrayed mechanically as systems of look (Abe) and gesture (Fay, Homer). All are based on people West observed. A similar mechanization of speech creates a Fay who affects a movie magazine vocabulary to go with her empty sensuous gestures, a Harry whose language comes out of...
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