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David Henry Hwang (Magill’s Choice: American Ethnic Writers)
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David Henry Hwang is a second-generation Chinese American. From his earliest plays, Hwang has been concerned with the Chinese American experience. Hwang has identified three developmental phases in his early work. His “assimilationist” phase was motivated by the overwhelming desire to be accepted by white American culture. Hwang’s first play, F. O. B., exemplifies this first period. Dave, a Chinese American, reacts negatively to a “fresh-off-the-boat” Chinese, Steve, because Steve exhibits all the stereotypic mannerisms that Dave has tried to...
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- David Henry Hwang (Magill’s Survey of American Literature, Revised Edition)
- David Henry Hwang (Critical Survey of Drama)
- David Henry Hwang (Cyclopedia of World Authors)
- David Henry Hwang (Magill’s Choice: American Ethnic Writers)
See Also
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Bondage (Identities and Issues) -
Dance and the Railroad, The (Drama) -
Dance and the Railroad, The (Identities and Issues) -
Family Devotions (Identities and Issues) -
M. Butterfly (Drama) -
M. Butterfly (Identities and Issues) -
Acting Styles (Topical Overview--Drama) -
Dramatic Genres (Topical Overview--Drama) -
Staging and Production (Topical Overview--Drama) -
Chinese American Identity in Literature (Topical Overview--Identities and Issues) -
Gay Identity in Literature (Topical Overview--Identities and Issues)
