Jan 2, 2010

Daughter of Fortune | Daughter of Fortune

At a glance:

Allende begins her novel by observing that Eliza Sommers, her heroine, has “many memories, both real and illusory,” and that Eliza recalls her life with “an astrologer’s poetic vagueness.” As a result, Allende’s novel, ostensibly told from an omniscient point of view, is best seen as a memory which incorporates magic, poetic license, and illusion—all ingredients of the “magic realism” of South American writers. Eliza also has culinary talents, a trait she shares with the heroine of Mexican Laura Esquivel’s Como agua para chocolate (1990; Like Water for...

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