Home > The Darling Summary & Study Guide > Essays and Criticism > Story telling in a Double Key
The Darling | Story telling in a Double Key
In the following essay, Poggioli examines Chekhov's revision of the ‘‘merry widow’’ pattern in "The Darling.''
Chekhov’s early stories are of some interest to the critic only inasmuch as they anticipate the accomplished master, destined to mature a few years later. Otherwise, their importance is slight, although it would be wrong to despise pieces that are still able to amuse and intrigue the reader. They were written in the early eighties, or about seventy years ago; and it is rare for any kind of writing, especially at the popular level, to survive with any effectiveness for such a long interval. This is even truer when one considers that the writing in question was never taken too...
[The entire page is 4568 words long]
Join eNotes
The above is a free excerpt. Get total access to this content with the:
Summary and Analysis – Themes – Characters – And much more...
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- The Darling: Introduction
- The Darling: Summary
- The Darling: Anton Chekhov Biography
- The Darling: Characters
- The Darling: Themes
- The Darling: Style
- The Darling: Historical Context
- The Darling: Critical Overview
-
The Darling: Essays and Criticism
- The Men in Olga's Life
- The Darling: Femininity Scorned and Desired
- Story telling in a Double Key
- The Languages of Darling
- The Submissive Wife Stereotype in Anton Chekhov's The Darling
- The As If Personality and Chekov's The Darling
- Robert Lynd Looks at Chekhov as Story Teller
- Tolstoy's Criticism on The Darling
- The Darling: Compare and Contrast
- The Darling: Topics for Further Study
- The Darling: Media Adaptations
- The Darling: What Do I Read Next?
- The Darling: Bibliography and Further Reading
- The Darling: Pictures
- Copyright
Related Topics
Tell a friend about The Darling at eNotes.
