Darkness at Noon | Style
Rational Arguments
In order to convincingly evaluate the Communist emphasis on the furthest extent of rationality and the objective compulsion to action, Koestler employs the stylistic device of extremely thorough rational thinking. In other words, he uses the Party’s own game in order to attack its policy. Rubashov is such an effective voice for the argument of the novel because he follows rationality to its extreme, finds it to be absurd, and is left only with the irrational “grammatical fiction.”
In this way, the first two hearings can be...
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- Darkness at Noon: Introduction
- Darkness at Noon: Summary
- Darkness at Noon: Arthur Koestler Biography
-
Darkness at Noon: Summary and Analysis
- Summary and Analysis: Part 1—The First Hearing—Chapters 1-7
- Summary and Analysis: Part 1—The First Hearing—Chapters 8-9
- Summary and Analysis: Part 1—The First Hearing—Chapters 10-12
- Summary and Analysis: Part 1—The First Hearing—Chapters 13-14
- Summary and Analysis: Part 2—The Second Hearing—Chapters 1-3
- Summary and Analysis: Part 2—The Second Hearing—Chapters 4-6
- Summary and Analysis: Part 2—The Second Hearing—Chapter 7
- Summary and Analysis: Part 3—The Third Hearing—Chapters 1-2
- Summary and Analysis: Part 3—The Third Hearing—Chapter 3
- Summary and Analysis: Part 3—The Third Hearing—Chapters 4-6
- Summary and Analysis: Part 4—The Grammatical Fiction—Chapters 1-3
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Darkness at Noon: Quizzes
- Questions and Answers: Part 1—The First Hearing—Chapters 1-7
- Questions and Answers: Part 1—The First Hearing—Chapters 8-9
- Questions and Answers: Part 1—The First Hearing—Chapters 10-12
- Questions and Answers: Part 1—The First Hearing—Chapters 13-14
- Questions and Answers: Part 2—The Second Hearing—Chapters 1-3
- Questions and Answers: Part 2—The Second Hearing—Chapters 4-6
- Questions and Answers: Part 2—The Second Hearing—Chapter 7
- Questions and Answers: Part 3—The Third Hearing—Chapters 1-2
- Questions and Answers: Part 3—The Third Hearing—Chapter 3
- Questions and Answers: Part 3—The Third Hearing—Chapters 4-6
- Questions and Answers: Part 4—The Grammatical Fiction—Chapters 1-3
- Darkness at Noon: Characters
- Darkness at Noon: Themes
- Darkness at Noon: Style
- Darkness at Noon: Historical Context
- Darkness at Noon: Critical Overview
- Darkness at Noon: Criticism
- Darkness at Noon: Compare and Contrast
- Darkness at Noon: Topics for Further Study
- Darkness at Noon: Media Adaptations
- Darkness at Noon: What Do I Read Next?
- Darkness at Noon: Bibliography and Further Reading
- Darkness at Noon: Pictures
- Copyright
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