Dancing at Lughnasa | Copyright

These eNotes are an offprint from Drama For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas.

Drama For Students

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COPYRIGHTED EXCERPTS IN DfS, VOLUME 11, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Commonweal, v. 121, January 28, 1994. Copyright © 1994 Commonweal Publishing Co., Inc. Reproduced by permission of Commonweal Foundation.— Los Angeles Times Book Review, v. 3, November 3, 1996. Copyright, 1996, Los Angeles Times. Reproduced by permission.—The New Republic, v. 197, September 28, 1987. © 1987 The New Republic, Inc. Reproduced by permission of The New Republic.—New York Magazine, v. 20, May 4, 1987, Copyright © 1987 PRIMEDIA Magazine Corporation. All rights reserved. Reproduced with the permission of New York Magazine.—The New Yorker, November 26, 1990 for ‘‘Shady Doings’’ by Mimi Kramer. © 1990 by The New Yorker Magazine, Inc. All rights reserved. Reproduced by permission of the author.—The Spectator, v. 260, June 18, 1988. © 1988 by The Spectator. Reproduced by permission of The Spectator.—Time, New York, v. 136, November 19, 1990; v. 142, December 27, 1993. Copyright 1990, 1993 Time Warner Inc. All rights reserved. Both reproduced by permission from Time.

COPYRIGHTED EXCERPTS IN DfS VOLUME 11, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Andrews, Elmer. From The Art of Brian Friel: Neither Reality Nor Dreams. St. Martin’s Press, 1995. © Elmer Andrews 1995. Reprinted with permission of St. Martin’s Press, LLC. In the UK by permission of Macmillan, London and Basingstoke.—Berlin, Normand. From Eugene O’Neill. Grove Press, 1964. Copyright © 1982 by Normand Berlin. All Rights Reserved. Reproduced by permission of Macmillan, London and Basingstoke.—Bogard, Travis. From Contour in Time: The Plays of Eugene O’Neill. Oxford University Press, 1972. Copyright © 1972, 1988 by Oxford University Press, Inc. Used by permission of Oxford University Press, Inc.—Brown, John Mason. From The Worlds of Robert E. Sherwood. Harper & Row, 1965. Copyright © 1962, 1965 by John Mason Brown. Reprinted by permission of HarperCollins Publishers, Inc.—Brown, Lloyd W. From Amiri Baraka. Twayne Publishers, 1980. Copyright © 1980 by G.K. Hall & Co. All Rights Reserved. Reproduced with the permission of Macmillan Library Reference USA, a division of Ahsuog, Inc.—Carpenter, Frederic L. From Eugene O’Neill. Twayne Publishers, 1964. Copyright © 1964 by Twayne Publishers, Inc. All Rights Reserved. Reproduced by permission of the Gale Group.—Collis, John Stewart. From ‘‘Religion and Philosophy’’ in The Genius of Shaw: A Symposium. Edited by Michael Holroyd. Holt, Rinehart and Winston, 1979. Copyright © 1979 by George Rainbird Limited. All rights reserved. Reprinted by permission of Henry Holt and Company, LLC.—Elam, Jr., Harry J. From Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka. University of Michigan Press, 1997. Copyright © by the University of Michigan 1997. All rights reserved. Reproduced by permission.—Fergusson, Francis. From The Idea of a Theater: A Study of Ten Plays: The Art of Drama in Changing Perspective. Princeton University Press, 1949. Copyright, 1949, by Princeton University Press. Renewed 1976 by Francis Fergusson. Renewed 1977 by Princeton University Press. Reproduced by permission.—Hill, Eldon C. From George Bernard Shaw. Twayne Publishers, 1978. Copyright © 1978 by G.K. Hall & Co. All Rights Reserved. Reproduced by permission of the Gale Group.—Macebuh, Stanley. From James Baldwin: A Critical Study. The Third Press, 1973. Copyright © 1973 by The Third Press, Joseph Okpaku Publishing Co., Inc. Reproduced by permission.— Northam, John. From Ibsen: A Critical Study. Cambridge at the University Press, 1973. Reproduced with the permission of Cambridge University Press and the author.—Olaniyan, Tejumola. From Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African- American, and Caribbean Drama. Oxford University Press, 1995. Copyright © 1995 by Tejumola Olaniyan. Used by permission of Oxford University Press, Inc.—Pratt, Louis H. From James Baldwin. Twayne Publishers, 1978. Copyright © 1978 by G.K. Hall & Co. All Rights Reserved. Reproduced by permission of the Gale Group.—Uhry, Alfred. From the preface to Driving Miss Daisy. Theatre Communications Group, 1986. Preface copyright © 1988 by Alfred Uhry. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN DfS VOLUME 11, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Baldwin, James. AP/ Wide World Photos. Reproduced by permission.—Baraka, Amiri, standing in a doorway, photograph. AP/Wide World Photos. Reproduced by permission.—Capek, Karel with Joseph Capek, photograph. © Bettmann/CORBIS. Reproduced by permission.—Chase, Mary Coyle, photograph. AP/Wide World Photos. Reproduced by permission.—Chase, Mary Coyle with James Stewart, on set of the film ‘‘Harvey,’’ 1950, photograph. AP/Wide World Photos. Reproduced by permission.— From a theatre production of Brian Friel’s ‘‘Dancing at Lughnasa’’ from Dublin’s Abbey Theater, August 21, 1991 with Catherine Byrne, Brid Nineachtain and Brid Brennan, photograph. AP/ Wide World Photos. Reproduced by permission.— Friel, Brian, photograph by Bobbie Hanvey. Reproduced by permission of Bobbie Hanvey.—Streep, Meryl with Brid Brennan and Sophie Thompson, in the movie ‘‘Dancing at Lughnasa,’’ 1998, photograph by Jonathon Hession. The Kobal Collection. Reproduced by permission.—Hwang, David Henry, 1988, photograph by Rick Maiman. AP/Wide World Photos. Reproduced by permission.—Hopkins, Anthony and Glenn G. Goei, in a scene from the theatrical production of ‘‘M. Butterfly,’’ 1989, photograph. © Donald Cooper/Photostage. Reproduced by permission.—Irons, Jeremy with John Lone, in a scene from the film ‘‘M. Butterfly,’’ 1993, photograph. Geffen CO/Warner Brothers. The Kobal Collection. Reproduced by permission.— Ibsen, Henrik, photograph. Culver Pictures, Inc. Reproduced by permission.—Beale, Simon Russell with Jane Lapotaire, in a scene from the theatrical production of ‘‘Ghosts,’’ 1993, photograph. © Donald Cooper/Photostage. Reproduced by permission.— Fairleigh, Lynn and Simon Chandler, in a scene from the theatrical production of ‘‘Ghosts,’’ 1984, photograph. © Donald Cooper/Photostage. Reproduced by permission.—Hawthorne, Nigel, on stage as C. S. Lewis in a production of ‘‘Shadowlands’’ at Queens Theatre, London, England, photograph. © Donald Cooper/Photostage. Reproduced by permission.— Hopkins, Anthony with Debra Winger, in a scene from the film ‘‘Shadowlands,’’ 1993, photograph. Spelling/Price/Savoy. The Kobal Collection. Reproduced by permission.—O’Neill, Eugene, photograph. AP/Wide World Photos. Reproduced by permission.—A playbill from from the theatrical production of Eugene O’Neill’s ‘‘The Great God Brown,’’ at the Coronet Theatre. PLAYBILL ® is a registered trademark of Playbill Incorporated, N. Y. C. All rights reserved. Reproduced by permission.— A playbill from the April, 1965 theatrical production of James Baldwin’s ‘‘The Amen Corner,’’ at the Ethel Barrymore Theatre. PLAYBILL ® is a registered trademark of Playbill Incorporated, N. Y. C. All rights reserved. Reproduced by permission.— A playbill from the February, 1970 theatrical production of ‘‘Harvey,’’ at the Anta Theatre. PLAYBILL ® is a registered trademark of Playbill Incorporated, N. Y. C. All rights reserved. Reproduced by permission.—Playbill title page insert for production of the play ‘‘Spike Heels’’ by Theresa Rebeck, directed by Michael Greif, at the Second Stage Theatre, New York. PLAYBILL ® is a registered trademark of Playbill Incorperated, N.Y.C. All rights reserved. Reproduced by permission.— Shaw, George Bernard, photograph. The Library of Congress.—Seberg, Jean with Richard Widmark and two other men, in a scene from the film ‘‘Saint Joan,’’ 1957, photograph. The Kobal Collection. Reproduced by permission.—Widmark, Richard with others, in a scene from the film ‘‘Saint Joan,’’ 1957, photograph. The Kobal Collection. Reproduced by permission.—Sherwood, Robert E., photograph. AP/ Wide World Photos. Reproduced by permission.— Massey, Raymond with Ruth Gordon, in a scene from the film ‘‘Abe Lincoln in Illinois,’’ 1940, photograph. RKO. The Kobal Collection. Reproduced by permission.—Massey, Raymond with Ruth Gordon (seated in carriage), in a scene from the film ‘‘Abe Lincoln in Illinois,’’ 1940, photograph. RKO. The Kobal Collection. Reproduced by permission.— Kendal, Felicity with Flora Crewe, Art Malik, and Dominic Jephcott, in ‘‘Indian Ink,’’ photograph. © Donald Cooper/PHOTOSTAGE. Reproduced by permission.—Stoppard, Tom, photograph. AP/Wide World Photos. Reproduced by permission.—Uhry, Alfred, photograph. AP/Wide World Photos. Reproduced by permission.—Hyman, Earle, photograph. Martha Swope Associates/Carol Rosegg. Reproduced by permission.—Freeman, Morgan with Jessia Tandy and Dan Aykroyd, in a scene from the film ‘‘Driving Miss Daisy,’’ 1989, photograph. Warner Bros. The Kobal Collection. Reproduced by permission.—Buero Vallejo, Madrid, Spain, 1986, photograph. AP/Wide World Photos. Reproduced by permission.