Dancing at Lughnasa | Introduction
Dancing at Lughnasa, by Brian Friel, one of Ireland's most important playwrights, was first performed at the Abby Theater, in Dublin, in 1990, and garnered the 1991 Olivier Award. In 1998, Dancing at Lughnasa was adapted to the screen in a film directed by Pat O'Connor and starring Meryl Streep.
Dancing at Lughnasa opens with a monologue by Michael, who introduces his nostalgic memories of the summer of 1936, when he was seven years old, and the five Mundy sisters, who raised him in rural Ireland, and had just acquired their first wireless radio. Their older brother, Michael's Uncle Jack, had just returned from twenty-five years spent as a missionary in a leper colony in Uganda. Michael was born out of wedlock to Chris, the youngest of the Mundy sisters, and Gerry Evans, who deserted her and the child and only returns every couple of years to see her. The radio, which breaks down more than it works, unleashes unarticulated emotions in the five women, who spontaneously break into song and dance, with or without its aid. By the end of the year, as the older Michael explains in monologue, two of the sisters, Rose and Agnes, had run off, never to return, and Uncle Jack had died of a heart attack.
Friel's play employs the central motif of dancing and music to explore themes of Irish cultural identity, nostalgia, historical change, and pagan ritual.
Dancing at Lughnasa Summary
Act I
Act I is set ‘‘on a warm day in early August, 1936,’’ in the ‘‘home of the Mundy family, two miles outside the village of Ballybeg, County Donegal, Ireland.’’ The play opens with a monologue by Michael, who introduces the play as a nostalgic memory of the summer when he was seven years old. The family of five sisters who raised him have just acquired their first wireless radio. The sisters, most of them in their thirties, include Kate, Maggie, Rose, Agnes, and Chris (Michael's mother). In addition to the arrival of the radio, Michael's Uncle Jack, who has been a missionary in a leper colony in Uganda for the past twenty-five years, has returned home. Michael explains in this opening monologue that he was a child born out of wedlock, and had only seen his father, Gerry Evans, a few times.
The action of the play opens as the five sisters do chores while occasionally breaking into singing and dancing, inspired by their new radio. Michael, as a boy, discusses with his aunts the kites he is building. Agnes suggests that they all attend the upcoming local harvest dance, to which Maggie, Rose, and Chris respond enthusiastically. But Kate vetoes the idea, saying that they are all too old to attend the dance. The sisters discuss a local boy who is suffering from severe burns that he got while attending the Festival of Lughnasa, a pagan tradition. When the radio, which only works... » Complete Dancing at Lughnasa Summary
New in Dancing at Lughnasa Group 
When writing a summary of "Dancing at Lughnasa," what key events and...
Question asked by cmcmcm in Dancing at Lughnasa.
Discuss all the cultural context in Dancing at Lughnasa by Brian Friel?
Question asked by cmcmcm in Dancing at Lughnasa.
