Cyrano de Bergerac | Essays and Criticism

  • Rostand's Sharply Defined Title Character and the Nature of Heroism

    In the following essay, the author examines Rostand's sharply defined title character and the nature of heroism.

  • Cyrano de Bergerac What It Is and Is Not

    In the following essay, an anonymous critic focuses on the irony in Cyrano de Bergerac, arguing that Rostand intended the play to be a satire, and not, as it was being hailed, a serious drama.

  • The Romantic Hero

    In the following essay, which originally appeared in 1898, Beerbohm predicts that Cyrano will be regarded as one of the most noted romantic heroes of all time, asserting that "Cyrano will survive because he is practically a new type in drama.''