Crime and Punishment | Copyright

These eNotes are an offprint from Novels For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels.

Novels For Students

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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/ Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NFS. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NFS, VOLUME 3, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literature, v. 56, May, 1984. Copyright © 1984 Duke University Press, Durham, NC. Reproduced by permission.

The Centennial Review, v. XX, Summer, 1976 for 'Tune, Uncertainty, and Kurt Vonnegut, Jr.," by Charles B. Harris. © 1976 by The Centennial Review. Reproduced by permission of the publisher and the author.

Critique: Studies in Modern Fiction, v. XX, 1978. Copyright © 1978 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 119 18th Street, N. W., Washington, DC 20036-1802.

The Horn Book Magazine, v. LXDC, November-December, 1993; v. LXX, July-August, 1994. Copyright, 1993, 1994, by The Horn Book, Inc., 11 Beacon St., Suite 1000, Boston, MA 02108. All rights reserved. Both reproduced by permission.

Los Angeles Times Book Review, July 11, 1982. Copyright, 1982, Los Angeles Times. Reproduced by permission.

The Mississippi Quarterly, v. XXIII, Spring, 1970. Copyright 1970 Mississippi State University. Reproduced by permission.

Modern Language Studies, v XDI, Summer, 1989 for "From Face Value to the Value in Faces: 'Wise Blood,' and the Limits of Literalism" by Gary M. Ciuba. Reproduced by permission of the publisher and the author.

The New York Review of Books, v. XXXI, May 10, 1984. Copyright © 1984 Nyrev, Inc. Reproduced with permission from The New York Review of Books.

Prairie Schooner, v. 63, Fall, 1989. © 1989 by University of Nebraska Press. Reproduced from Prairie Schooner by permission of the University of Nebraska Press.

Radical Teacher, v. 9, September, 1978. Reproduced by permission.

Research Studies, v. 42, September, 1974 for "Pilgrim's Dilemma: 'Slaughterhouse-Five'" by David L. Vanderwerken. Reproduced by permission of the author.

South Atlantic Review, v. 48, January, 1983 Copyright © 1983 by the South Atlantic Modern Language Association. Reproduced by permission.

The Southern Literary Journal, v. XVII, Spring, 1985. Copyright 1985 by the Department of English, University of North Carolina at Chapel Hill. Reproduced by permission.

The Southern Quarterly, v. 30, Winter-Spring, 1992. Copyright © 1992 by the University of Southern Mississippi Reproduced by permission.

VLS, v. 34, April, 1985 for "Up from Eden" by Jacqueline Austin. Copyright © V. V. Publishing Corporation.

Women's Studies: An Interdisciplinary Journal, v. 13, 1986. © Gordon and Breach Science Publishers. Reproduced by permission

COPYRIGHTED EXCERPTS IN NFS, VOLUME 3, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Brander, Laurence From George Orwell. Longmans, Green and Co., 1954. Reproduced by permission of Addison Wesley Longman

Callan, Edward From Alan Paton. Revised edition. Twayne Publishers, 1982. Copyright © 1982 by G. K Hall & Co. All rights reserved. Excerpted with permission of Twayne Publishers, an imprint of Simon & Schuster Macmillan.

Cheung, King-Kok. From "Attentive Silences m Joy Kogawa's 'Obasan',"inArticulateSilences: Hisaye Yamamoto, Maxine Hong Kingston, Joy Kogawa. Cornell, 1993. Copyright© 1993 by Cornell University. All nghts reserved. Reproduced by permission of the publisher, Cornell University Press All additional uses of this material—including, but not limited to, photocopying and reprinting—are prohibited without the prior written approval of Cornell University Press

Greenblatt, Stephen. From Three Modern Satirists: Waugh, Orwell, and Huxley. Yale University Press, 1965 Copynght © 1965 by Yale University. All nghts reserved. Reproduced by permission of the author.

Hinde, Thomas. From "Accident and Coincidence in Tess of the D'Urbervilles," in The Genius of Thomas Hardy. Edited by Margaret Drabble. Knopf, 1976. Copyright © 1976 by George Wei-denfeld and Nicolson Ltd All nghts reserved. Reproduced by permission of the author.

Leatherbarrow, William J. From Fedor Dos-toevsky. Twayne Publishers, 1981. Copyright © 1981 by G. K. Hall & Co All rights reserved. Excerpted with permission of Twayne Publishers, an imprint of Simon & Schuster Macmillan.

Miller, J. Hillis. From Fiction and Repetition: Seven English Novels. Cambridge, Mass.: Harvard University Press, 1982. Copyright © 1982 by J. Hillis Miller. All nghts reserved. Excerpted by permission of the publishers. In the British Commonwealth by Basil Blackwell, Ltd.

Nagel, James. From "Desperate Hopes, Desperate Lives: Depression and Self-Realization in Jamaica Kincaid's 'Annie John' and 'Lucy'," in Traditions, Voices, and Dreams: The American Novel Since the 1960s. Edited by Melvin J. Friedman and Ben Siegel. University of Delaware Press, 1995. © 1995 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.

Owens, Louis. From Other Destinies: Understanding the American Indian Novel. University of Oklahoma Press, 1992. Copyright © 1992 by the University of Oklahoma Press. All nghts reserved. Reproduced by permission.

Stout, Jams P. From "Joan Didion and the Presence of Absence," in Strategies of Reticence: Silence and Meaning in the Works of Jane Austen, Willa Cather, Katherine Anne Porter and Joan Didion. Edited by Sharon Felton. University Press of Virginia, 1990 Reproduced with permissions of The University Press of Virginia

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NFS, VOLUME 3, WERE REPRODUCED FROM THE FOLLOWING SOURCES:

AP/WIDE WORLD PHOTOS: Antiguan girl carrying water jug, photograph. AP/Wide World Photos, Inc. Reproduced by permission. —Dorris, Michael, photograph. AP/Wide World Photos, Inc. Reproduced by permission. —Hurston, Zora Neale, photograph. AP/Wide World Photos, Inc. Reproduced by permission. —Orwell, George, photograph. AP/Wide World Photos, Inc. Reproduced by permission. —Peter and Paul Fortress, photograph. AP/Wide World Photos, Inc. Reproduced by permission. —Vonnegut, Kurt, photograph. AP/Wide World Photos, Inc. Reproduced by permission.

ARCHIVE PHOTOS: Dostoevsky, Fyodor, photograph Archive Photos, Inc. Reproduced by permission. —Forster, E. M., photograph. Archive Photos, Inc. Reproduced by permission. —Kevorkian, Jack (with Geoffrey Feiger), photograph. Archive Photos, Inc. Reproduced by permission. —Lorre, Peter, in the film "Cnme and Punishment," photograph. Archive Photos, Inc. Reproduced by permission. —Paton, Alan, photograph. Archive Photos, Inc. Reproduced by permission. —Women marching for the right to vote, photograph. Archive Photos, Inc./Hackett Collection. Reproduced by permission.

JERRY BAUER: Didion, Joan, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission. —Gibbons, Kaye, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission. —Kinkaid, Jamaica, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.

CANAPRESS PHOTO SERVICE: Japanese-Canadians protesting for compensation for World War II internment, photograph. Canapress Photo Service, 1988. Reproduced by permission.

CORBIS-BETTMANN: Hardy, Thomas, photograph. Corbis-Bettmann. Reproduced by permission. —Mondale, Walter, with Ronald Reagan at presidential debate in Louisville, Kentucky, October 7, 1984, photograph. Corbis-Bettmann. Reproduced by permission. —Neoclassical building in the French Quarter, New Orleans, photograph. Corbis-Bettmann. Reproduced by permission. —O'Connor, Flannery, photograph. Corbis-Bettmann. Reproduced by permission. —Stalin, Joseph, photograph. Corbis-Bettmann. Reproduced by permission.

GEORGIA CURRY: Headstone on grave of Zora Neale Hurston, photograph by Georgia Curry.

GALE RESEARCH: Antigua, map. Gale Research.

THE GLOBE AND MAIL, TORONTO- Ko-gawa, Joy, 1992, photograph by Randy Velocci. The Globe and Mail, Toronto. Reproduced by permission. —Uprooting of Japanese Canadians, Vancouver, 1942 train shot, photograph. The Globe and Mail, Toronto. Reproduced by permission.

HALLMARK HALL OF FAME: Harris, Julie, with Jena Malone, in a scene from "Ellen Foster," photograph. Hallmark Hall of Fame. Reproduced by permission.

HENRY HOLT AND COMPANY. Robbins, Ken, illustrator. From a jacket of A Yellow Raft in Blue Water, by Michael Dorris. Henry Holt and company, Inc. Jacket design copyright © 1987 by Henry Holt and Company, Inc. Reproduced by permission of Ken Robbins.

HOUGHTON MIFFUN COMPANY: Lowry, Lois, photographer. From a cover of The Giver, by Lois Lowry. Houghton Mifflin Company, 1993. Jacket photograph © 1993 by Lois Lowry. Reproduced by permission of Houghton Mifflin Company.

THEKOBAL COLLECTION: Davis, Judy, and Nigel Havers in the film "A Passage to India," 1984, photograph. The Kobal Collection Reproduced by permission. —Harris, Richard, with James Earl Jones in the film "Cry, the Beloved Country," photograph. The Kobal Collection. Reproduced by permission. —Kinski, Nastassia, and Peter Firth in the film "Tess," photograph. The Kobal Collection. Reproduced by permission. —Pig from animated film "Animal Farm," photograph. The Kobal Collection. Reproduced by permission. —Sacks, Michael, in the 1972 motion picture "Slaughterhouse Five," photograph. The Kobal Collection. Reproduced by permission.

MISSOURI HISTORICAL SOCIETY: Chopin, Kate, photograph. Missouri Historical Society. Reproduced by permission.

LUFTIOZKOK: Gardner, John, photograph by Lutfi Ozkok. Reproduced by permission.

AMANDA SMITH: Lowry, Lois, photograph by Amanda Smith. Reproduced by permission of Lois Lowry.

UPI/CORBIS-BETTMANN- 5th Avenue and 135th street, Harlem, New York, 1927, photograph.

UPI/Corbis-Bettmann. Reproduced by permission. —Black South Africans outside shacks in slum of Sofiatown, 1954, Johannesburg, South Africa, photograph UPI/Corbis-Bettmann. Reproduced by permission. —Ceremonies commemorating Battle of Little Big Horn, photograph. UPI/Corbis-Bettmann. Reproduced by permission —Demonstration at Grant Park, photograph. UPI/Corbis-Bettmann. Reproduced by permission. —Evacuation plane boarding, Nha Traing, S. Vietnam, photograph. UPI/Corbis-Bettmann. Reproduced by permission. —Gandhi, Mahatma, and Shnmah Sorojini Naidu, photograph. UPI/Corbis-Bettmann. Reproduced by permission. —Lafata, Lorraine, writing down "House Rules" at Safe House in Ann Arbor, Michigan, photograph. UPI/Corbis-Bettmann. Reproduced by permission. —Men among the ruins of Dresden, 1946, Germany, photograph. UPI/Corbis-Bettmann. Reproduced by permission. —Presnell, Tom, photograph. UPI/Corbis-Bettmann. Reproduced by permission.

SALLY WEIGAND: Dorset, England, photograph by Sally Weigand. © 1989. Reproduced by permission of Sally Weigand.