Criticism > Contemporary Literary Criticism > Zappa, Frank - Jon Pareles
Zappa, Frank - Jon Pareles
JON PARELES
Unlike 200 Motels, Zappa's first film, Baby Snakes doesn't pretend to have a plot, and it is edited percussively, for maximum disorientation.
For die-hard Zappa fans, there are a few illuminating sequences. It's fascinating to watch Zappa conducting at close range; his band translates his hand motions into sound with telepathic precision. But those scenes are separated by tedious stretches of Zappa's cold-eyed, unfunny "comedy," which seems to be aimed primarily at socially retarded twelve-year-old boys. His staples are dirty-word jokes, outdated rock satires and disturbing antigay slurs….
The concert footage is competently shot, but [Bruce] Bickford's animation is the movie's visual salvation….
Unfortunately, Baby Snakes is all too analogous to Zappa's current music. For each glimpse of technical skill, each intriguing idea, you have to slog through endless, repetitious vamps. There's just enough interesting...
[The entire page is 191 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Bertram Stanleigh
- Harvey Pekar
- Robert A. Rosenstone
- Ellen Sander
- David G. Walley
- Lester Bangs
- Alan Heineman
- Bill Reed
- Lester Bangs
- Lester Bangs
- Jay Cocks
- Dan Morgenstern
- David Reitman
- Mike Bourne
- David Walley
- Arthur Schmidt
- Peter Kountz
- Alan Niester
- Eric Salzman
- JOHN SWENSON and BART TESTA
- Lester Bangs
- Robert Duncan
- Andy Doherty
- Tim Schneckloth
- David Fricke
- Peter Reilly
- Jon Pareles
- Karl Dallas
- Shel Kagan
- Cole Springer
- Tom Carson
- Jon Pareles
- Don Shewey
- Larry Birnbaum
- Paul Tickell
- Copyright
