Criticism > Contemporary Literary Criticism > Wilson, Lanford (Vol. 197) - Ricardo Montez (review date 3 May 2003)
Wilson, Lanford (Vol. 197) - Ricardo Montez (review date 3 May 2003)
Ricardo Montez (review date 3 May 2003)
SOURCE: Montez, Ricardo. Review of Burn This, by Lanford Wilson. Theatre Journal 55, no. 2 (3 May 2003): 358-59.
[In the following review of Burn This, Montez explores the theme of intimacy and its relevance in a New York City setting, post-September 11, 2001.]
Burn This ends with the play's two main characters, Anna and Pale, holding each other in an embrace full of uncertainty and grief. In the first of the Signature Theatre's productions devoted to Lanford Wilson over the 2002-2003 season, the pair, played by Catherine Keener and Edward Norton, close the play with a look towards an empty bed hovering in a loft above Anna's bedroom. This unoccupied space manages to assert an overwhelming presence throughout the production. Once belonging to Robbie—Anna's friend and Pale's brother—the bed acts as a continual reminder of absence and haunts the interactions that occur within...
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- Introduction
- Principal Works
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Criticism
- Stanley Kauffmann (review date 13 June 1970)
- Lanford Wilson and Esther Harriott (interview date December 1982)
- Leslie Kane (essay date 1985-86)
- Lanford Wilson and David Savran (interview date 1 December 1986)
- Mark Busby (essay date 1987)
- Richard Hornby (essay date spring 1988)
- Rudolf Erben (essay date February 1989)
- Johan Callens (essay date 1989)
- Christopher Edwards (review date 9 June 1990)
- Lanford Wilson and John C. Tibbetts (interview date spring 1991)
- Lanford Wilson and Jackson R. Bryer (interview date 20 May 1993)
- Philip Middleton Williams (essay date 1993)
- Anne M. Dean (essay date 1994)
- James J. Martine (essay date 1994)
- Charles Isherwood (review date 10-16 February 2003)
- Ricardo Montez (review date 3 May 2003)
- Further Reading
- Copyright
