Criticism > Contemporary Literary Criticism > Wilson, Lanford (Vol. 197) - Lanford Wilson and Jackson R. Bryer (interview date 20 May 1993)
Wilson, Lanford (Vol. 197) - Lanford Wilson and Jackson R. Bryer (interview date 20 May 1993)
Lanford Wilson and Jackson R. Bryer (interview date 20 May 1993)
SOURCE: Wilson, Lanford, and Jackson R. Bryer. “Lanford Wilson.” In The Playwright's Art: Conversations with Contemporary American Dramatists, edited by Jackson R. Bryer, pp. 277-96. New Brunswick, N.J.: Rutgers University Press, 1995.
[In the following interview, originally conducted on May 20, 1993, Wilson and Bryer discuss the craft of playwriting, critical reaction to Wilson's work, and his literary influences.]
Lanford Wilson was born in 1937 in Lebanon, Missouri. After attending Southwest Missouri State College briefly and spending a year in San Diego and five years in Chicago, he came to New York in 1962. His initial plays, one-acts, were presented at the off-off-Broadway Caffe Cino. His first full-length play was Balm in Gilead (1965). It was followed by The Rimers of Eldritch (1966), The Gingham Dog (1968), Serenading Louie (1970),...
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- Introduction
- Principal Works
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Criticism
- Stanley Kauffmann (review date 13 June 1970)
- Lanford Wilson and Esther Harriott (interview date December 1982)
- Leslie Kane (essay date 1985-86)
- Lanford Wilson and David Savran (interview date 1 December 1986)
- Mark Busby (essay date 1987)
- Richard Hornby (essay date spring 1988)
- Rudolf Erben (essay date February 1989)
- Johan Callens (essay date 1989)
- Christopher Edwards (review date 9 June 1990)
- Lanford Wilson and John C. Tibbetts (interview date spring 1991)
- Lanford Wilson and Jackson R. Bryer (interview date 20 May 1993)
- Philip Middleton Williams (essay date 1993)
- Anne M. Dean (essay date 1994)
- James J. Martine (essay date 1994)
- Charles Isherwood (review date 10-16 February 2003)
- Ricardo Montez (review date 3 May 2003)
- Further Reading
- Copyright
